001453346 000__ 07193cam\a2200637\i\4500 001453346 001__ 1453346 001453346 003__ OCoLC 001453346 005__ 20230314003346.0 001453346 006__ m\\\\\o\\d\\\\\\\\ 001453346 007__ cr\cn\nnnunnun 001453346 008__ 221127t20232023sz\a\\\\ob\\\\001\0\eng\d 001453346 019__ $$a1351742068 001453346 020__ $$a9783031117916$$q(electronic bk.) 001453346 020__ $$a3031117913$$q(electronic bk.) 001453346 020__ $$z3031117905$$qhardcover 001453346 020__ $$z9783031117909$$qhardcover 001453346 0247_ $$a10.1007/978-3-031-11791-6$$2doi 001453346 035__ $$aSP(OCoLC)1351735362 001453346 040__ $$aYDX$$beng$$erda$$epn$$cYDX$$dN$T$$dGW5XE$$dTFW$$dOCLCF 001453346 049__ $$aISEA 001453346 050_4 $$aPQ7082.S34 001453346 08204 $$a863.087620998$$223 001453346 24500 $$aPosthumanism and Latin(x) American science fiction /$$cAntonio Córdoba, Emily A. Maguire, editors. 001453346 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan, an imprint of Springer Nature Switzerland AG,$$c[2023] 001453346 264_4 $$c©2023 001453346 300__ $$a1 online resource (xiii, 257 pages) :$$billustrations. 001453346 336__ $$atext$$btxt$$2rdacontent 001453346 337__ $$acomputer$$bc$$2rdamedia 001453346 338__ $$aonline resource$$bcr$$2rdacarrier 001453346 4901_ $$aStudies in global science fiction 001453346 504__ $$aIncludes bibliographical references and index. 001453346 5058_ $$aIntro -- Acknowledgments -- Contents -- Notes on Contributors -- List of Figures -- Chapter 1: Introduction: Posthumanism and Latin(x) American Science Fiction -- On Posthumanism and Science Fiction -- This Volume -- Works Cited -- Part I: Posthuman Subjects -- Chapter 2: Prosthetic Futures: Disability and Genre Self-consciousness in Maielis González Fernández's Sobre los nerds y otras criaturas mitológicas -- Introduction -- Prosthesis as Metaphor: The Other or/and the Posthuman -- Self-conscious, Self-aware Monsters -- Prosthetic Cuba, the Ultimate Rarity -- Genre Self-consciousness 001453346 5058_ $$aReading the Monster in Slow Motion -- Works Cited -- Chapter 3: We Have Always Been Posthuman: Eve Gil's Virtus and the Reconfiguration of the Lettered Subject -- A Note on Posthumanism and Latin America -- Virtus: Cultural Critique and Political Satire -- First Cyborg Identity: The Video-Child -- Linos Pound and Juana Inés: The Neolettered Cyborgs -- The Neo "letrada" Cyborg: Juana Inés -- The Cyborg Dilemma -- Conclusions -- Works Cited -- Chapter 4: Does the Posthuman Actually Exist in Mexico? A Critique of the Essayistic Production on Posthumanist Discourse Written by Mexicans (2001-2007) 001453346 5058_ $$aIntroduction -- The Essayistic Construction of the Posthuman as Understood by Mexicans -- Mexican Exclusion, Devaluation, Unawareness, and Cultural Erasure -- Works Cited -- Part II: Slow Violence and Posthuman Environments -- Chapter 5: Fukú, Postapocalyptic Haunting, and Science-Fictional Embodiment in Junot Díaz's "Monstro" -- Fukú Americanus: Writing the Caribbean Through Anathema -- La Negrura: Zombies, Black Flesh -- Becoming Monsters, Turning the World Black -- Works Cited -- Chapter 6: Villa Epecuén: Slow Violence and the Posthuman Film Set 001453346 5058_ $$aSlow Violence and the Making and Unmaking of Villa Epecuén -- Genre Cinema and Seeing the Posthuman -- Works Cited -- Chapter 7: Catfish and Nanobots: Invasive Species and Eco-critical Futures in Alejandro Rojas Medina's Chunga Maya -- Rhetoric of Invasion: A Definitive War on Marabú -- Clarias as Crisis and Solution -- Works Cited -- Part III: Posthuman Others -- Chapter 8: Andean Cyborgs: Market and Indigeneity in Miguel Esquirol's "El Cementerio de Elefantes" -- The Aparapita: He Who Carries the City on His Back -- The Bolivian Market: Meeting Point of Social Classes and Cultures 001453346 5058_ $$aGarbage and Resistance -- Works Cited -- Chapter 9: The Politics of Resistance in Brazil's Dystopian Thriller 3% -- Introduction -- Season 1: Biopolitics and Dystopia -- Season 2: The Third Space-Biotechnology and Utopian Possibilities -- References -- Chapter 10: Bruja Theory: Latinidad Without Latinos in Popular Narratives of Brujería -- References -- Chapter 11: "A Mutant Faith": Science Fiction, Posthumanism, and Queer Futurity in Arca's KiCK Album Pentalogy -- Arca and Queer Futurity -- Mutants and Faith -- Coda -- References 001453346 506__ $$aAccess limited to authorized users. 001453346 520__ $$aThis volume explores how Latin American and Latinx creators have engaged science fiction to explore posthumanist thought. Contributors reflect on how Latin American and Latinx speculative art conceptualizes the operations of other, non-human forms of agency, and engages in environmentalist theory in ways that are estranging and open to new forms of species companionship. Essays cover literature, film, TV shows, and music, grouped in three sections: Posthumanist Subjects examines Latin(x) American iterations of some of the most common figurations of the posthuman, such as the cyborg and virtual environments and selves; Slow Violence and Environmental Threats understands that posthumanist meditations in the hemisphere take place in a material and cultural context shaped by the catastrophic destruction of the environment; the chapters in Posthumanist Others shows how the reimagination of the self and the world that posthumanism offers may be an opportunity to break the hold that oppressive systems have over the ways in which societies are constructed and governed. Antonio Cordoba is Associate Professor of Modern Languages and Literatures at Manhattan College, USA. His main area of specialization is Latin American and Iberian science fiction. He has published Extranjero en tierra extrana?: El genero de la ciencia ficcion en America Latina (2011) and published articles and book chapters on Latin American and Spanish science fiction and horror. Emily A. Maguire is Associate Professor of Spanish and Portuguese at Northwestern University, USA, where she specializes in literature of the Hispanic Caribbean and its diasporas. The author of Racial Experiments in Cuban Literature and Ethnography (2011; 2nd edition, 2018), her articles have appeared in Revista de Estudios Hispanicos, Small Axe, A Contracorriente, ASAP/Journal, and Revista Iberoamericana, among other places. 001453346 588__ $$aOnline resource; title from PDF title page (EBSCOhost platform, viewed February 3, 2023). 001453346 650_0 $$aScience fiction, Latin American$$xHistory and criticism. 001453346 650_0 $$aPosthumanism in literature. 001453346 650_0 $$aPosthumanism. 001453346 650_0 $$aLiterature$$xPhilosophy. 001453346 655_7 $$aCriticism, interpretation, etc.$$2fast$$0(OCoLC)fst01411635 001453346 655_7 $$aLiterary criticism.$$2lcgft 001453346 655_0 $$aElectronic books. 001453346 7001_ $$aCordoba, Antonio$$c(Professor of Modern Languages and Literatures),$$eeditor. 001453346 7001_ $$aMaguire, Emily,$$d1972-$$eeditor. 001453346 77608 $$iPrint version:$$tPosthumanism and Latin(x) American science fiction.$$dCham, Switzerland : Palgrave Macmillan, [2023]$$z9783031117909$$w(OCoLC)1331707008 001453346 830_0 $$aStudies in global science fiction. 001453346 852__ $$bebk 001453346 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-031-11791-6$$zOnline Access$$91397441.1 001453346 909CO $$ooai:library.usi.edu:1453346$$pGLOBAL_SET 001453346 980__ $$aBIB 001453346 980__ $$aEBOOK 001453346 982__ $$aEbook 001453346 983__ $$aOnline 001453346 994__ $$a92$$bISE