001453356 000__ 05985cam\a2200613\i\4500 001453356 001__ 1453356 001453356 003__ OCoLC 001453356 005__ 20230314003347.0 001453356 006__ m\\\\\o\\d\\\\\\\\ 001453356 007__ cr\cn\nnnunnun 001453356 008__ 221126t20232023sz\\\\\\ob\\\\000\0\eng\d 001453356 019__ $$a1351730056$$a1351752103 001453356 020__ $$a9783031187438$$q(electronic bk.) 001453356 020__ $$a3031187431$$q(electronic bk.) 001453356 020__ $$z9783031187421 001453356 020__ $$z3031187423 001453356 0247_ $$a10.1007/978-3-031-18743-8$$2doi 001453356 035__ $$aSP(OCoLC)1351743885 001453356 040__ $$aYDX$$beng$$erda$$epn$$cYDX$$dGW5XE$$dEBLCP$$dN$T$$dGWL$$dOCLCF 001453356 049__ $$aISEA 001453356 050_4 $$aK3778 001453356 08204 $$a344/.097$$223/eng/20221216 001453356 1001_ $$aBolz, Anna,$$eauthor. 001453356 24512 $$aA regulatory framework for the art market? :$$bauthenticity, forgeries and the role of art experts /$$cAnna Bolz. 001453356 264_1 $$aCham :$$bSpringer,$$c[2023] 001453356 264_4 $$c©2023 001453356 300__ $$a1 online resource (xiii, 315 pages). 001453356 336__ $$atext$$btxt$$2rdacontent 001453356 337__ $$acomputer$$bc$$2rdamedia 001453356 338__ $$aonline resource$$bcr$$2rdacarrier 001453356 4901_ $$aStudies in art, heritage, law and the market,$$x2524-7433 ;$$vvolume 7 001453356 500__ $$aBased on the author's dissertation (doctoral)--Maastricht University. 001453356 504__ $$aIncludes bibliographical references. 001453356 5050_ $$aSetting the scene : approach and methodology -- Peculiarities of the art market -- Fraud, forgery and authentication -- Remedies : regulation and new initiatives -- Conclusions and recommendations. 001453356 5050_ $$aIntro -- Preface -- Acknowledgements -- Contents -- About the Author -- Chapter 1: Setting the Scene: Approach and Methodology -- 1.1 The Unregulated Nature of the Art Market -- 1.1.1 The Concepts of Trust and Confidentiality in Art Transactions -- 1.1.2 The Impact of Digitisation and Technology -- 1.1.3 Authentication and Attribution: The Unique Role of Art Experts -- 1.2 Current Discussions About Regulation -- 1.2.1 Recent Initiatives of Self-Regulatory Measures -- 1.3 The Research Task Emerging from Recent Developments -- 1.4 Methodology and Delimitation -- 1.5 Structure of the Analysis 001453356 5058_ $$a2.2.2 Art Advisors and Wealth Managers -- 2.2.3 Auction Houses: Guarantees and Third-Party Arrangements -- 2.2.4 Galleries -- 2.2.5 Museums -- 2.2.6 Practices of Dealers as Illustrated by Cases -- 2.2.6.1 Larry Gagosian v Jan Cowles: Lichtensteinś Girl in Mirror -- 2.2.6.2 Larry Gagosian v Ronald Perelman: Koonś Popeye -- 2.2.6.3 Larry Gagosian v Pelham Europe Ltd.: Pablo Picassoś Bust of a Woman (Marie Thérèse) -- 2.2.6.4 Yves Bouvier v Dmitri Rybolovlev: Da Vinciś Salvator Mundi and Modiglianiś Nu Couché au Coussin Bleu 001453356 5058_ $$a2.2.6.5 Helge Achenbach v Babette Albrecht: Unauthorised Markups and Falsified Invoices -- 2.2.6.6 Helge Achenbach v Christian Boehringer: More Hidden Premiums -- 2.2.7 Interim Conclusion from Case Studies -- 2.3 Valuation -- 2.4 Value, Money and Price Mechanisms: The Lack of a General Pricing Methodology -- 2.4.1 The Threat of Price Manipulation -- 2.4.2 The Role of the Panama Papers -- 2.5 Art as a Financial Asset -- 2.5.1 Risks and Threats -- 2.5.2 The Role of Art Indices -- 2.5.3 Art-Secured Lending: When Art Becomes Collateral -- References -- Untitled 001453356 5058_ $$aChapter 3: Fraud, Forgery and Authentication -- 3.1 Introduction -- 3.2 Lessons from the Past: An Overview of Some of the Most Important Forgery Cases in Art History -- 3.2.1 Han van Meegeren -- 3.2.2 Tom Keating -- 3.2.3 Eric Hebborn -- 3.2.4 Elmyr de Hory -- 3.2.5 Geert Jan Jansen -- 3.2.6 Ely Sakhai -- 3.2.7 John Myatt -- 3.2.8 Interim Conclusion -- 3.3 No End in Sight: The Most Recent Forgery Cases -- 3.3.1 Wolfgang Beltracchi: The Worldś Most Famous Art Forger -- 3.3.1.1 Details of the Case: The Sammlung Werner Jägers -- 3.3.1.2 Details of the Proceedings: The Forgeries 001453356 506__ $$aAccess limited to authorized users. 001453356 520__ $$aThis book addresses practical issues in connoisseurship and authentication, as well as the legal implications that arise when an artworks authenticity is challenged. In addition, the standards and processes of authentication are critically examined and the legal complications which can inhibit the expression of expert opinions are discussed. The notion of authenticity has always commanded the attention of art market participants and the general art-minded public alike. Coinciding with this, forgery is often considered to be the worlds most glamorous crime, packed with detective stories that are usually astonishing and often bizarre. The research includes findings by economists, sociologists, art historians, lawyers, academics and practitioners, all of which yield insights into the mechanics and peculiarities of the art business and explain why it works so differently from other markets. However, this book will be of interest not only to academics, but to everyone interested in questions of authenticity, forgery and connoisseurship. At the same time, one of its main aims is to advocate best practices in the art market and to stress the importance of cooperation among all disciplines with a stake in it. The results are intended to offer guidance to art market stakeholders, legal practitioners and art historians alike, while also promoting mutual understanding and cooperation. 001453356 588__ $$aOnline resource; title from PDF title page (SpringerLink, viewed December 16, 2022). 001453356 650_0 $$aArt$$xForgeries. 001453356 650_0 $$aForgery$$xLaw and legislation. 001453356 650_0 $$aArt$$xExpertising. 001453356 650_0 $$aLaw and art. 001453356 655_0 $$aElectronic books. 001453356 77608 $$iPrint version:$$z3031187423$$z9783031187421$$w(OCoLC)1345274969 001453356 830_0 $$aStudies in art, heritage, law and the market ;$$vv. 7. 001453356 852__ $$bebk 001453356 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-031-18743-8$$zOnline Access$$91397441.1 001453356 909CO $$ooai:library.usi.edu:1453356$$pGLOBAL_SET 001453356 980__ $$aBIB 001453356 980__ $$aEBOOK 001453356 982__ $$aEbook 001453356 983__ $$aOnline 001453356 994__ $$a92$$bISE