001453596 000__ 06944cam\a2200613\i\4500 001453596 001__ 1453596 001453596 003__ OCoLC 001453596 005__ 20230314003435.0 001453596 006__ m\\\\\o\\d\\\\\\\\ 001453596 007__ cr\un\nnnunnun 001453596 008__ 221217s2023\\\\sz\\\\\\ob\\\\001\0\eng\d 001453596 019__ $$a1354992836 001453596 020__ $$a9783031092572$$q(electronic bk.) 001453596 020__ $$a3031092570$$q(electronic bk.) 001453596 020__ $$z9783031092565 001453596 020__ $$z3031092562 001453596 0247_ $$a10.1007/978-3-031-09257-2$$2doi 001453596 035__ $$aSP(OCoLC)1355221644 001453596 040__ $$aEBLCP$$beng$$erda$$cEBLCP$$dGW5XE$$dYDX$$dN$T$$dHTM$$dTXM 001453596 049__ $$aISEA 001453596 050_4 $$aPN56.5.I55$$bR44 2023 001453596 08204 $$a809/.89206912$$223/eng/20230216 001453596 08204 $$a305.906914$$223 001453596 24500 $$aRefugee genres :$$bessays on the culture of flight and refuge /$$cMike Classon Frangos, Sheila Ghose, editors. 001453596 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c[2023] 001453596 300__ $$a1 online resource (249 pages) 001453596 336__ $$atext$$btxt$$2rdacontent 001453596 337__ $$acomputer$$bc$$2rdamedia 001453596 338__ $$aonline resource$$bcr$$2rdacarrier 001453596 504__ $$aIncludes bibliographical references and index. 001453596 5050_ $$aIntro -- Acknowledgements -- Contents -- Notes on Contributors -- List of Figures -- Chapter 1: Why Refugee Genres? Refugee Representation and Cultural Form -- Defining Refugee Genres -- Genre Histories of Human Rights -- Migrant Performance and Media -- Overview of Chapters -- References -- Part I: Life Writing: Memoir, Comics, Poetry -- Chapter 2: "How Do we Survive the Memory of So Much Waiting?": Reconfiguring Empathy in Dina Nayeri's The Ungrateful Refugee -- The Pain of Others -- The Untranslatable Element -- Conclusion -- References 001453596 5058_ $$aChapter 3: Family Journeys: Refugee Histories in Vietnamese American Graphic Memoirs -- Refugee Graphic Memoir -- Post-Vietnam War Memories and Refugee Comics -- Refugee History and Postmemory in G.B. Tran's Vietnamerica -- Feminist Refugee Autobiography in Thi Bui's the Best we Could Do -- Conclusion -- References -- Chapter 4: Insular Metaphors: Representations of Cyprus in Mediterranean Refugee Literatures after the 1980s -- Tayeb Salih: Cyprus and Insularity -- Suad Amiry: Cyprus as a Bridge -- Conclusions -- References -- Part II: Performance and Documentary Media 001453596 5058_ $$aChapter 5: Home Is Goose Bumps (on a Second Skin): Refugee Experience in the Songs of the Zollhausboys -- Home Is Goose Bumps (on a Second Skin) -- Part One: Home and Being at Home When One Leaves Home -- Moving Away and Arriving by Reinhabiting Space -- Part Two: For me, Actually, It Was Not That Hard -- Conclusion -- Appendix: Song Lyrics -- Kobani (Written by Ismaeel Foustok and Pago Balke) -- Aleppo (Written by Pago Balke and Ismaeel Foustok) -- Regen Am Fenster (Written by Azad Kour) -- Werder-Jacke (Written by Azad Kour) -- Held (Written by Ismaeel Foustok) -- References 001453596 5058_ $$aChapter 6: Migrant and Radical: Political Migrant Theatre and Activism in Migrations: Harbour Europe -- Introduction -- 'Stranger danger' and Theatres of Migration -- From Border to Border: Destabilising Bordering -- Conclusion: Repositioning Migrancy Through Theatre -- References -- Chapter 7: On the Necropolitics of Contemporary Human Uprootedness: Ecocentric Empathy in Documentary Film and Philosophy -- Introduction -- War Refugees in Daphne Matziaraki's 4.1 miles (2016) -- Environmental Refugees in Michael Nash's Climate Refugees (2010) 001453596 5058_ $$aDevelopmental Refugees in Kalyanee Mam's Lost World (2018) -- Human Uprootedness in Godfrey Reggio's Koyaanisqatsi (1982) and Powaqqatsi (1988) -- Conclusion -- References -- Part III: The Refugee Novel -- Chapter 8: Splitting Apart, Coming Together: Bildung (...shards...) into Mosaic-Being through Performance of the Refugee and Forced-Migration Bildungsroman -- Truth of Structure -- Identity of Narrator/Subject(s) -- Sense of (Con)Text -- Performance into Being -- References -- Chapter 9: Shattered Forms: Transnational Migration Literatures in Melilla and the Balkan Refugee Route -- Introduction 001453596 506__ $$aAccess limited to authorized users. 001453596 520__ $$aRefugees Genres is a timely, interdisciplinary and far-reaching exploration of a figure at once over-scripted and barely-legible: the contemporary refugee. An international assembly of scholars and critics conduct deep probes into the ways this figure hyper-visible, politically weaponised, often patronised emerges in comics and graphic novels, experimental films, modern performance and music, memoirs and literary fiction before, in termite fashion, perverting and restructuring those artistic forms to startling effect. --S. S. Sandhu, Director of the Center for Experimental Humanities and Associate Professor of English and Social and Cultural Analysis, NYU Rich and varied, the essays in Refugee Genres pull together refugee narratives from literature, film and the graphic arts, to make a series of bold interventions into this evolving field. --Agnes Woolley, Lecturer in Transnational Literature and Migration Cultures, Birkbeck, University of London This volume brings together research on the forms, genres, media and histories of refugee migration. Chapters come from a range of disciplines and interdisciplinary approaches, including literature, film studies, performance studies and postcolonial studies. The goal is to bring together chapters that use the perspectives of the arts and humanities to study representations of refugee migration. The chapters of the anthology are organized around specific forms and genres: life-writing and memoir, the graphic novel, theater and music, film and documentary, coming-of-age stories, street literature, and the literary novel. Mike Classon Frangos is Senior Lecturer in English Literature at Linnaeus University, Sweden. He has published articles on comics and graphic novels, as well as literature, migration and human rights. Sheila Ghose is Senior Lecturer in English Literature at Sodertorn University, Sweden. She has published on British Asian literature and on postcolonial Sweden. . 001453596 588__ $$aOnline resource; title from PDF title page (SpringerLink, viewed January 6, 2023). 001453596 650_0 $$aRefugees in literature. 001453596 650_0 $$aRefugees in motion pictures. 001453596 650_0 $$aEmigration and immigration in literature. 001453596 650_0 $$aEmigration and immigration in motion pictures. 001453596 650_0 $$aRefugees. 001453596 650_0 $$aEmigration and immigration. 001453596 655_0 $$aElectronic books. 001453596 7001_ $$aClasson Frangos, Mike,$$eeditor. 001453596 7001_ $$aGhose, Sheila,$$eeditor. 001453596 77608 $$iPrint version:$$aClasson Frangos, Mike$$tRefugee Genres$$dCham : Springer International Publishing AG,c2023$$z9783031092565 001453596 852__ $$bebk 001453596 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-031-09257-2$$zOnline Access$$91397441.1 001453596 909CO $$ooai:library.usi.edu:1453596$$pGLOBAL_SET 001453596 980__ $$aBIB 001453596 980__ $$aEBOOK 001453596 982__ $$aEbook 001453596 983__ $$aOnline 001453596 994__ $$a92$$bISE