001453888 000__ 03237cam\a2200541\i\4500
001453888 001__ 1453888
001453888 003__ OCoLC
001453888 005__ 20230314003450.0
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001453888 007__ cr\cn\nnnunnun
001453888 008__ 230122t20232023sz\a\\\\ob\\\\000\0\eng\d
001453888 019__ $$a1361716414
001453888 020__ $$a9783031179853$$q(electronic bk.)
001453888 020__ $$a3031179854$$q(electronic bk.)
001453888 020__ $$z9783031179846
001453888 020__ $$z3031179846
001453888 0247_ $$a10.1007/978-3-031-17985-3$$2doi
001453888 035__ $$aSP(OCoLC)1358754520
001453888 040__ $$aYDX$$beng$$erda$$epn$$cYDX$$dGW5XE$$dAU@$$dEBLCP$$dN$T$$dZMS
001453888 049__ $$aISEA
001453888 050_4 $$aML1460
001453888 08204 $$a782.002854019$$223/eng/20230124
001453888 1001_ $$aBaumann, Franziska,$$d1965-$$eauthor.
001453888 24510 $$aEmbodied human-computer interaction in vocal music performance /$$cFranziska Baumann.
001453888 264_1 $$aCham, Switzerland :$$bSpringer,$$c[2023]
001453888 264_4 $$c©2023
001453888 300__ $$a1 online resource (xii, 81 pages) :$$billustrations (some color).
001453888 336__ $$atext$$btxt$$2rdacontent
001453888 337__ $$acomputer$$bc$$2rdamedia
001453888 338__ $$aonline resource$$bcr$$2rdacarrier
001453888 347__ $$atext file$$bPDF$$2rda
001453888 4901_ $$aSpringer series on cultural computing. SpringerBriefs on cultural computing
001453888 504__ $$aIncludes bibliographical references.
001453888 5050_ $$aIntroduction -- The embodied voice -- The mediated voice -- Embodied interface performance with gestural systems.
001453888 506__ $$aAccess limited to authorized users.
001453888 520__ $$a"This SpringerBrief provides a unique insight into the practice and research of the connections between voice, HCI and embodiment. Specifically, it explores how the voice can be embodied and mediated by means of gestural communication through sensor interfaces and aims to situate and contextualise various aspects that generate meaningful connections in such interactive interface performance. The author offers an approach for understanding creative practices between humans and computers in gestural live music performance, from the perspective of the embodied relationships created within such systems. Underlying practices, principles and sensor technologies that support creativity in embodied human-computer interaction in vocal music performance are examined and a dynamic framework and tools for anyone wishing to engage with this subject in depth are presented. The book is essential reading not only for musicians, composers, researchers, application developers, musicologists and educators but also for students and tertiary institutions as well as actors and dramaturgs in a music context"--$$cProvided by publisher.
001453888 588__ $$aOnline resource; title from PDF title page (SpringerLink, viewed January 24, 2023).
001453888 650_0 $$aVocal music$$xTechnological innovations.
001453888 650_0 $$aHuman-computer interaction.
001453888 655_0 $$aElectronic books.
001453888 77608 $$iPrint version:$$z3031179846$$z9783031179846$$w(OCoLC)1342983181
001453888 830_0 $$aSpringer series on cultural computing.$$pSpringerBriefs on cultural computing.
001453888 852__ $$bebk
001453888 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-031-17985-3$$zOnline Access$$91397441.1
001453888 909CO $$ooai:library.usi.edu:1453888$$pGLOBAL_SET
001453888 980__ $$aBIB
001453888 980__ $$aEBOOK
001453888 982__ $$aEbook
001453888 983__ $$aOnline
001453888 994__ $$a92$$bISE