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Intro
Acknowledgments
Contents
Notes on Contributors
List of Figures
Introduction: Re-assessing Poe's Seductive Art
References
Part I: Poe's Echoes of the Classical World and his Current Legacy
Chapter 1: "The Glory that was Greece and the Grandeur that was Rome": Edgar Allan Poe and the Classical World
A Classical Education
Poetry
"Tamerlane" (1827)
"Romance" (1827)
"Sonnet-To Science" (1829)
"To

" (1829)
"To Helen" (1831)
"Israfel" (1831)
"Irenë" or "The Sleeper" (1831)
"The Valley of Nis" or "The Valley of Unrest" (1831)

"A Pæan" (1831)
"Enigma" (1833)
"Serenade" (1833)
"The Coliseum" (1833)
"Sonnet to Zante" (1836)
"Dream-Land" (1844)
"The Raven" (1845)
"Eulalie" (1845)
"Ulalume" (1847)
"To Helen (Whitman)" (1848)
Prose Works
"The Assignation" (1834)
"Berenice" (1835)
"Shadow-A Parable" (1835)
"Ligeia" (1838)
"Siope" (1838)
The Narrative of Arthur Gordon Pym (1838)
"The Conversation of Eiros and Charmion" (1839)
"Eleonora" (1841)
"The Colloquy of Monos and Una" (1841)
"Eureka" (1848)
"Mellonta Tauta" (1849)
"The Fall of the House of Usher" (1839)

Conclusion
References
Chapter 2: Poe's Arrival in Europe and the Case of Greece
Translations of Poe's Storytelling in Europe
The Greek Ambassador of Poe
Conclusion
References
Chapter 3: "Darkness There and Nothing More": Edgar Allan Poe and the Popular Culture of Necrolatry and Thanatography
The Anxiety of Loss: Necrolatry in Nineteenth-Century American Society
The Birth of Photography and Postmortem Thanatography
Poe's Traumatic Experience of Death during Childhood and Adulthood
Poe's Relationship with his Reading Public and Popular Taste

Poe's Sublimation of the Fetishistic Synecdoche: "Berenice" and "Ligeia"
"The House of Usher" or the Fetishistic Objectification of the "Face of the Tenant"
Conclusion
References
Part II: Poe and Modernism
Chapter 4: Poe Among the Modernists: A (Ghostly) Reappraisal
Poe, Master of the French
The Modernist Critique: Pound and Eliot
T.S. Eliot and Poe: The Poet as Craftsman
"Art for Art's Sake": The Poem per se and the Transcendental Hermeneutic of Poetic Unity
Romantic Epistemology and the Ideal Artist of Unified Sensibility
Breaking the Unity of the World: Crime

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