001453980 000__ 05331cam\a2200529\i\4500
001453980 001__ 1453980
001453980 003__ OCoLC
001453980 005__ 20230314003455.0
001453980 006__ m\\\\\o\\d\\\\\\\\
001453980 007__ cr\un\nnnunnun
001453980 008__ 230118s2023\\\\sz\\\\\\o\\\\\001\0\eng\d
001453980 019__ $$a1356794504$$a1356797643$$a1357016729
001453980 020__ $$a9783031113178$$q(electronic bk.)
001453980 020__ $$a3031113179$$q(electronic bk.)
001453980 020__ $$z9783031113161
001453980 020__ $$z3031113160
001453980 0247_ $$a10.1007/978-3-031-11317-8$$2doi
001453980 035__ $$aSP(OCoLC)1361695806
001453980 040__ $$aN$T$$beng$$erda$$epn$$cN$T$$dGW5XE$$dEBLCP$$dYDX$$dOCLCQ
001453980 049__ $$aISEA
001453980 050_4 $$aQ223
001453980 08204 $$a502.2$$223/eng/20230118
001453980 24500 $$aScientific visual representations in history /$$cMatteo Valleriani, Giulia Giannini, Enrico Giannetto, editors.
001453980 264_1 $$aCham, Switzerland :$$bSpringer,$$c2023.
001453980 300__ $$a1 online resource.
001453980 336__ $$atext$$btxt$$2rdacontent
001453980 337__ $$acomputer$$bc$$2rdamedia
001453980 338__ $$aonline resource$$bcr$$2rdacarrier
001453980 500__ $$aIncludes index.
001453980 504__ $$aReferences -- 3 Microscopy and Natural Philosophy: Robert Hooke, His Micrographia, and the Early Royal Society -- 3.1 Hooke and the Royal Society -- 3.2 The Micrographia Project -- 3.3 Microscopy and Apologetics -- 3.4 Interpreting Microscopical Images -- 3.5 The Graphic Transposition of the "True Form" and Its Functions -- 3.6 Microscopy and Natural Philosophy -- 3.7 Conclusion -- References -- 4 Vision on Vision: Defining Similarities Among Early Modern Illustrations on Cosmology -- 4.1 Introduction -- 4.2 The Role of a Scientific Illustration
001453980 5050_ $$aPart I: Transmission -- Chapter 1. Visual Culture Of University Knowledge: The Lecture Notebooks From Louvain And Douai (17th-18th Centuries)(Gwendoline De Mûelenaere - University Of Louvain, Belgium) -- Chapter 2. The Illustrated Printed Page As A Tool For Thinking And Transmitting Knowledge. The Case Of Renaissance Astronomical Books(Isabelle Pantin) -- Chapter 3. Representing Experience In The Early Royal Society. The Case Of Robert Hooke?S Micrographia (1665)(Salvatore Ricciardo - University Of Bergamo, Italy) -- Chapter 4. Vision On Vision: Early Modern Scientific Images On Cosmology Explored By Means Of Second Order Images(Matteo Valleriani, Florian Kräutli) -- Part II: Transformation -- Chapter 5. Theorizing Technology: Theōria, Diagram, And Artifact In Hero Of Alexandria(Courtney Roby) -- Chapter 6. Artistic 'Libido' And Scientific Truth In 16th Century Woodcut Illustrations(Magdalena Bushart) -- Chapter 7. Capturing, Modeling, Overviewing And Making Credible: The Functions Of Visual At The Accademia Del Cimento(Giulia Giannini) -- Chapter 8. The Transformations Of Physico-Mathematical Visual Thinking: From Descartes To Quantum Physics(Enrico Giannetto) -- Part III: Exploration -- Chapter 9. Transporting Asian And Australasian Nature To Europe: Photographs From The Voyage Of HMS. Challenger 1872-1876(Stephanie Hood) -- Chapter 10. Visualising Biodata In The Laboratory. Image-Makers, Practices And Reinvention In Magnetic Resonance Technology(Silvia Casini) -- Chapter 11. Arguing From Appearance: The Numerical Reconstruction Of Galactic Tails And Bridges(Matthias Schemmel) -- Chapter 12. Ethnoscience And Spatial Representations Of Climate Change(Elena Bougleux).
001453980 506__ $$aAccess limited to authorized users.
001453980 520__ $$aThis book explores continuity and ruptures in the historical use of visual representations in science and related disciplines such as art history and anthropology. The book also considers more recent developments that attest to the unprecedented importance of scientific visualizations, such as video recordings, animations, simulations, graphs, and enhanced realities. The volume collects historical reflections concerned with the use of visual material, visualization, and vision in science from a historical perspective, ranging across multiple cultures from antiquity until present day. The focus is on visual representations such as drawings, prints, tables, mathematical symbols, photos, data visualizations, mapping processes, and (on a meta-level) visualizations of data extracted from historical sources to visually support the historical research itself. Continuity and ruptures between the past and present use of visual material are presented against the backdrop of the epistemic functions of visual material in science. The function of visual material is defined according to three major epistemic categories: exploration, transformation, and transmission of knowledge.
001453980 588__ $$aOnline resource; title from PDF title page (SpringerLink, viewed January 18, 2023).
001453980 650_0 $$aVisual communication in science$$xHistory.
001453980 650_0 $$aScience$$xHistory.
001453980 655_0 $$aElectronic books.
001453980 7001_ $$aValleriani, Matteo,$$eeditor.
001453980 7001_ $$aGiannini, Giulia,$$eeditor.
001453980 7001_ $$aGiannetto, Enrico,$$eeditor.
001453980 77608 $$iPrint version:$$aValleriani, Matteo$$tScientific Visual Representations in History$$dCham : Springer International Publishing AG,c2023$$z9783031113161
001453980 852__ $$bebk
001453980 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-031-11317-8$$zOnline Access$$91397441.1
001453980 909CO $$ooai:library.usi.edu:1453980$$pGLOBAL_SET
001453980 980__ $$aBIB
001453980 980__ $$aEBOOK
001453980 982__ $$aEbook
001453980 983__ $$aOnline
001453980 994__ $$a92$$bISE