001453996 000__ 05010nam\a22005297i\4500 001453996 001__ 1453996 001453996 003__ OCoLC 001453996 005__ 20230314003456.0 001453996 006__ m\\\\\o\\d\\\\\\\\ 001453996 007__ cr\cn\nnnunnun 001453996 008__ 230118s2023\\\\sz\a\\\\ob\\\\001\0\eng\d 001453996 020__ $$a9783031055997$$q(electronic bk.) 001453996 020__ $$a3031055993$$q(electronic bk.) 001453996 020__ $$z3031055985 001453996 020__ $$z9783031055980 001453996 0247_ $$a10.1007/978-3-031-05599-7$$2doi 001453996 035__ $$aSP(OCoLC)1361719306 001453996 040__ $$aGW5XE$$beng$$erda$$epn$$cGW5XE 001453996 049__ $$aISEA 001453996 050_4 $$aNX161 001453996 08204 $$a791.43/6$$223/eng/20230118 001453996 24500 $$aAnthony Burgess, Stanley Kubrick and A clockwork orange /$$cMatthew Melia, Georgina Orgill, editors. 001453996 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c[2023] 001453996 300__ $$a1 online resource (1 volume) :$$billustrations (black and white, and colour) 001453996 336__ $$atext$$btxt$$2rdacontent 001453996 337__ $$acomputer$$bc$$2rdamedia 001453996 338__ $$aonline resource$$bcr$$2rdacarrier 001453996 4901_ $$aPalgrave studies in adaptation and visual culture 001453996 504__ $$aIncludes bibliographical references and index. 001453996 5050_ $$aIntroduction. By Matt Melia and Georgina Orgill -- Part 1: Authorship and A Clockwork Orange -- Chapter 1: Dangerous arts: the clash between Anthony Burgess, Stanley Kubrick, A Clockwork Orange and the World. By Filippo Ulivieri -- Chapter 2: Fresh Juice From A Clockwork Orange: Anthony Burgesss Novel and its Aftermath. By Andrew Biswell -- Chapter 3: Evolving A Clockwork Orange. By Matt Melia -- Part 2: Language and Adaptation -- Chapter 4: "The colours of the real world only seem really real when you viddy them on the screen": The adaptation of Nadsat in Stanley Kubricks A Clockwork Orange. By Jim Clarke and Benet Vincent -- Chapter 5: Language, Language: The Social Politics of Goloss in A Clockwork Orange. By Julian Preece -- Chapter 6: Adapting A Clockwork Orange. By I.Q Hunter -- Part 3: Architectural, Art Historical and Theoretical Approaches to A Clockwork Orange -- Chapter 7: The Violence of the Image OR How Stanley Kubrick Visualised Anthony Burgesss Novel. By Dijana Metlic -- Chapter 8: Architecture and Freedom in A Clockwork Orange. By Joe Darlington -- Chapter 9: Glazzies Wide Open: Spectral Torture, Kubrick and A Clockwork Orange. By Murray Pomerance -- Part 4: 20th Century Contexts for A Clocwkork Orange -- Chapter 10: A particularly bad film of, like, a concentration camp: Jews and Germans in A Clockwork Orange. By Peter Kramer and Nathan Abrams -- Chapter 11: When Burgess met the Stilyagi on a white night: Subcultures, hegemony and resistance in the soviet roots of A Clockwork Oranges droogs. By Cristian Pasotti -- Chapter 12: Alexs voice in A Clockwork Orange: Nadsat, Cinema and Cold War Brainwashing Scares. By Joy McEntee -- Part 5: A Clockwork Orange in the 21st Century -- Chapter 13: A Thing Living and Not Growing. By Ajay Hothi -- Chapter 14: A Clockwork Orange and its representations of Sexual Violence. By Karen Ritzenhoff. 001453996 506__ $$aAccess limited to authorized users. 001453996 520__ $$aThis book brings together a diverse range of contemporary scholarship around both Anthony Burgess's novel (1962) and Stanley Kubrick's film, A Clockwork Orange (US 1971; UK 1972). This is the first book to deal with both together offering a range of groundbreaking perspectives that draw on the most up to date, contemporary archival and critical research carried out at both the Stanley Kubrick Archive, held at University of the Arts London, and the archive of the International Anthony Burgess Foundation. This landmark book marks both the 50th anniversary of Kubrick's film and the 60th anniversary of Burgess's novel by considering the historical, textual and philosophical connections between the two. The chapters are written by a diverse range of contributors covering such subjects as the Burgess/Kubrick relationship; Burgess's recently discovered 'sequel' The Clockwork Condition; the cold war context of both texts; the history of the script; the politics of authorship; and the legacy of both-including their influence on the songwriting and personas of David Bowie! 001453996 588__ $$aDescription based on print version record. 001453996 60010 $$aBurgess, Anthony,$$d1917-1993.$$tClockwork orange. 001453996 60010 $$aBurgess, Anthony,$$d1917-1993$$xFilm adaptations. 001453996 60010 $$aKubrick, Stanley.$$tClockwork orange. 001453996 655_0 $$aElectronic books. 001453996 7001_ $$aMelia, Matthew.$$eeditor. 001453996 7001_ $$aOrgill, Georgina.$$eeditor. 001453996 77608 $$iPrint version:$$tANTHONY BURGESS, STANLEY KUBRICK AND A CLOCKWORK ORANGE.$$d[Place of publication not identified] : PALGRAVE MACMILLAN, 2022$$z3031055985$$w(OCoLC)1310621156 001453996 830_0 $$aPalgrave studies in adaptation and visual culture. 001453996 852__ $$bebk 001453996 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-031-05599-7$$zOnline Access$$91397441.1 001453996 909CO $$ooai:library.usi.edu:1453996$$pGLOBAL_SET 001453996 980__ $$aBIB 001453996 980__ $$aEBOOK 001453996 982__ $$aEbook 001453996 983__ $$aOnline 001453996 994__ $$a92$$bISE