001454259 000__ 04913cam\a22005057i\4500 001454259 001__ 1454259 001454259 003__ OCoLC 001454259 005__ 20230314003509.0 001454259 006__ m\\\\\o\\d\\\\\\\\ 001454259 007__ cr\cn\nnnunnun 001454259 008__ 230131s2022\\\\sz\a\\\\o\\\\\000\0\eng\d 001454259 019__ $$a1364341253 001454259 020__ $$a9783031095962$$q(electronic bk.) 001454259 020__ $$a3031095960$$q(electronic bk.) 001454259 020__ $$z9783031095955 001454259 020__ $$z3031095952 001454259 0247_ $$a10.1007/978-3-031-09596-2$$2doi 001454259 035__ $$aSP(OCoLC)1367266724 001454259 040__ $$aGW5XE$$beng$$erda$$epn$$cGW5XE$$dYDX$$dUKMGB 001454259 049__ $$aISEA 001454259 050_4 $$aPN171.A33 001454259 08204 $$a809$$223/eng/20230131 001454259 24500 $$aAdaptation before cinema :$$bliterary and visual convergence from antiquity through the nineteenth century /$$cLissette Lopez Szwydky, Glenn Jellenik, editors. 001454259 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c2022. 001454259 300__ $$a1 online resource :$$billustrations (black and white). 001454259 336__ $$atext$$btxt$$2rdacontent 001454259 337__ $$acomputer$$bc$$2rdamedia 001454259 338__ $$aonline resource$$bcr$$2rdacarrier 001454259 4901_ $$aPalgrave studies in adaptation and visual culture 001454259 5050_ $$aIntroduction "Adaptations Past, Adaptations Future / Glenn Jellenik and Lissette Lopez Szwydky -- Part 1: Reframing Adaptations Potential, Historically -- Chapter 1 "Of Human Bondage: Recombinant Replications of Supplication and Social Justice since Antiquity" / Mary-Antoinette Smith -- Chapter 2 "Adaptation as the Art Form of Democracy: Romanticism and the Rise of Novelization / Glenn Jellenik -- Chapter 3 "Poetry after Descartes: Henry Mores Adaptive Poetics" / Melissa Caldwell -- Chapter 4 "History and/as Adaptation: MacBeth and the Rhizomatic Adaptation of History" / Anja Hartl -- Chapter 5 "Fakespeare; or, Authorship by Any Other Name" / Jim Casey -- Part 2: Transmedia Culture-Texts -- Chapter 6 "Shakespeares Adaptations of Fairy Stories" / Valerie Guyant -- Chapter 7 "The Medea Network: Adapting Medea in Eighteenth-Century Theater and Visual Culture" / Katie Noble -- Chapter 8 "The Making of Monsters: Thomas Potter Cooke and the Theatrical Debuts of Frankenstein and The Vampyre in the 1820s" / Eleanor Bryan -- Chapter 9 "Dante Gabriel Rossetti at the Intersection of Painting and Poetry" / Dominique Gracia -- Chapter 10 "Markers of Class: The Antebellum Childrens Book Adaptations of The Lamplighter and Uncle Toms Cabin" / Maggie E. Morris Davis -- Chapter 11 "Alice, Animals, and Adaptation: John Tenniels Influence on Wonderland and Its Early Adaptation History" / Kristen L. Figgins -- CODA "Transmedia Cultural History in/and the Future of Adaptation Studies" / Lissette Lopez Szwydky. . 001454259 506__ $$aAccess limited to authorized users. 001454259 520__ $$aAdaptation Before Cinema highlights a range of pre-cinematic media forms, including theater, novelization, painting and illustration, transmedia art, childrens media, and other literary and visual culture. The book expands the primary scholarly audience of adaptation studies from film and media scholars to literary scholars and cultural critics working across a range of historical periods, genres, forms, and media. In doing so, it underscores the creative diversity of cultural adaptation practiced before cinema came to dominate the critical conversation on adaptation. Collectively, the chapters construct critical bridges between literary history and contemporary media studies, foregrounding diverse practices of adaptation and providing a platform for innovative critical approaches to adaptation, appropriation, or transmedia storytelling popular from the Middle Ages through the invention of cinema. At the same time, they illustrate how these forms of adaptation not only influenced the cinematic adaptation industry of the twentieth century but also continue to inform adaptation practices in the twenty-first century transmedia landscape. Written by scholars with expertise in historical, literary, and cultural scholarship ranging from the medieval period through the nineteenth century, the chapters use discourses developed in contemporary adaptation studies to shed new lights on their respective historical fields, authors, and art forms. 001454259 588__ $$aDescription based on print version record. 001454259 650_0 $$aLiterature$$xAdaptations$$xHistory and criticism. 001454259 655_0 $$aElectronic books. 001454259 7001_ $$aSzwydky, Lissette Lopez,$$eeditor. 001454259 7001_ $$aJellenik, Glenn,$$eeditor.$$1https://isni.org/isni/0000000437200954 001454259 77608 $$iPrint version:$$tAdaptation before cinema.$$dBasingstoke : Palgrave Macmillan, 2022$$z9783031095955$$w(OCoLC)1346500626 001454259 830_0 $$aPalgrave studies in adaptation and visual culture. 001454259 852__ $$bebk 001454259 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-031-09596-2$$zOnline Access$$91397441.1 001454259 909CO $$ooai:library.usi.edu:1454259$$pGLOBAL_SET 001454259 980__ $$aBIB 001454259 980__ $$aEBOOK 001454259 982__ $$aEbook 001454259 983__ $$aOnline 001454259 994__ $$a92$$bISE