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001454331 001__ 1454331
001454331 003__ OCoLC
001454331 005__ 20230314003513.0
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001454331 020__ $$a9783031121807$$q(electronic bk.)
001454331 020__ $$a3031121805$$q(electronic bk.)
001454331 020__ $$z3031121791
001454331 020__ $$z9783031121791
001454331 0247_ $$a10.1007/978-3-031-12180-7$$2doi
001454331 035__ $$aSP(OCoLC)1367968981
001454331 040__ $$aYDX$$beng$$cYDX$$dTXA$$dGW5XE
001454331 049__ $$aISEA
001454331 050_4 $$aPN1992.8.H67
001454331 08204 $$a791.45/6164$$223/eng/20230207
001454331 24500 $$aPenny dreadful and adaptation :$$breanimating and transforming the monster /$$cJulie Grossman, Will Scheibel, editors.
001454331 260__ $$aCham, Switzerland :$$bPalgrave Macmillan,$$c2023.
001454331 300__ $$a1 online resource (xviii, 282 pages) :$$billustrations (chiefly color).
001454331 336__ $$atext$$btxt$$2rdacontent
001454331 337__ $$acomputer$$bc$$2rdamedia
001454331 338__ $$aonline resource$$bcr$$2rdacarrier
001454331 4901_ $$aPalgrave studies in adaptation and visual culture
001454331 504__ $$aIncludes bibliographical references and index.
001454331 5050_ $$a1. Introduction -- 2. The Medium Is the Model -- 3. The Adaptive Marketing of Penny Dreadful: Listening to the Dreadfuls -- 4. Penny Dreadful and Frankensteinian Collection: Museums, Anthologies, and Other Monstrous Media from Shelley to Showtime -- 5. In the House of the Night Creatures: Penny Dreadfuls Dracula -- 6. Vampirism, Blood, and Memory in Penny Dreadful and Only Lovers Left Alive -- 7. The Dead Place: Cosmopolitan Gothic in Penny Dreadfuls London -- 8. Adapting the Universal Classic Monsters in Penny Dreadful: An Uncanny Resurrection -- 9. Penny Dreadful and the Stage: Lessons in Horror and Heritage -- 10. Ethan Chandler, Penny Dreadful, and the Dime Novel; or, Dancing with American Werewolves in London -- 11. Dreadful Noir, Adaptation, and City of Angels: Monsters, All, Are We Not? -- 12. Penny Dreadfuls Palimpsestuous Bride of Frankenstein -- 13. Predators Far and Near: The Sadean Gothic in Penny Dreadful -- 14. All Those Sacred Midnight Things: Queer Authorship, Veiled Desire, and Divine Transgression in Penny Dreadful -- 15. Borderland Identities in Penny Dreadful: City of Angels: Urban Planning and Its Impact on Chicano Communities.
001454331 506__ $$aAccess limited to authorized users.
001454331 520__ $$aPenny Dreadful and Adaptation is a brilliantly curated collection of essays responding to a brilliantly curated collection of media monsters. Julie Grossman and Will Scheibel have summoned an array of expert contributors as our guides to the liminal Demimonde: chapters range across Victorian, cosmopolitan and Sadean gothics, quality TV as a kind of dialogue with fandom, and Penny Dreadfuls own spin-off progeny. Posing new questions about adaptation and its uncanny/medial qualities, this volume will inspire its very own aca-fans and dedicated Dreadfuls alike. Professor Matt Hills, author of Fan Cultures and The Pleasures of Horror Drawing on a wide range of contexts, methods and traditions of representation, Penny Dreadful and Adaptation is endlessly insightful and nuanced. Through the breadth of approaches adopted, this volumes contributors investigate the unbounded textuality of Showtimes landmark television series but also, through this, shed vital new light on the long traditions of retelling that are at the heart of Gothic and horrific cultural forms and their contemporary cultural manifestations. Kate Egan, Senior Lecturer in Film and Media, Northumbria University, UK. This edited collection is the first book-length critical study of the Showtime-Sky Atlantic television series Penny Dreadful (2014-2016), which also includes an analysis of Showtimes 2020 spin-off City of Angels. Chapters examine the status of the series as a work of twenty-first-century cable television, contemporary Gothic-horror, and intermedial adaptation, spanning sources as diverse as eighteenth and nineteenth-century British fiction and poetry, American dime novels, theatrical performance, Hollywood movies, and fan practices. Featuring iconic monsters such as Dr. Frankenstein and his Creature, the Bride of Frankenstein, Dracula, the werewolf, Dorian Gray, and Dr. Jekyll, Penny Dreadful is a mash-up of familiar texts and new Gothic figures such as spiritualist Vanessa Ives, played by the magnetic Eva Green. Julie Grossman is a professor of English and Communication and Film Studies at Le Moyne College in Syracuse, NY, USA. Will Scheibel is an Associate Professor of English at Syracuse University, USA, where he teaches film and screen studies.
001454331 588__ $$aDescription based on print version record.
001454331 63000 $$aPenny dreadful (Television program)
001454331 650_0 $$aHorror television programs$$zUnited States$$xHistory and criticism.
001454331 650_0 $$aLiterature$$xAdaptations.
001454331 650_0 $$aMonsters on television.
001454331 655_0 $$aElectronic books.
001454331 7001_ $$aGrossman, Julie,$$d1962-$$eeditor.
001454331 7001_ $$aScheibel, Will,$$d1983-$$eeditor.
001454331 77608 $$iebook version :$$z9783031121807
001454331 77608 $$iPrint version: $$z3031121791$$z9783031121791$$w(OCoLC)1332781337
001454331 830_0 $$aPalgrave studies in adaptation and visual culture.
001454331 852__ $$bebk
001454331 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-031-12180-7$$zOnline Access$$91397441.1
001454331 909CO $$ooai:library.usi.edu:1454331$$pGLOBAL_SET
001454331 980__ $$aBIB
001454331 980__ $$aEBOOK
001454331 982__ $$aEbook
001454331 983__ $$aOnline
001454331 994__ $$a92$$bISE