001454913 000__ 03517nam\a22004577i\4500
001454913 001__ 1454913
001454913 003__ OCoLC
001454913 005__ 20230314003234.0
001454913 006__ m\\\\\o\\d\\\\\\\\
001454913 007__ cr\un\nnnunnun
001454913 008__ 230301s2023\\\\sz\a\\\\ob\\\\001\0\eng\d
001454913 020__ $$a9783031186905$$q(electronic bk.)
001454913 020__ $$a3031186907$$q(electronic bk.)
001454913 020__ $$z9783031186899
001454913 0247_ $$a10.1007/978-3-031-18690-5$$2doi
001454913 035__ $$aSP(OCoLC)1371403410
001454913 040__ $$aGW5XE$$beng$$erda$$epn$$cGW5XE
001454913 049__ $$aISEA
001454913 050_4 $$aPR6063.C4
001454913 08204 $$a823/.914$$223/eng/20230301
001454913 1001_ $$aKizelbach, Urszula,$$eauthor.
001454913 24510 $$a(Im)politeness in McEwan's fiction :$$bliterary pragma-stylistics /$$cUrszula Kizelbach.
001454913 264_1 $$aCham :$$bPalgrave Macmillan,$$c2023.
001454913 300__ $$a1 online resource (xi, 231 pages) :$$billustrations
001454913 336__ $$atext$$btxt$$2rdacontent
001454913 337__ $$acomputer$$bc$$2rdamedia
001454913 338__ $$aonline resource$$bcr$$2rdacarrier
001454913 504__ $$aIncludes bibliographical references and index.
001454913 5050_ $$aChapter 1: Why Ian McEwan and Literary Pragma-Stylistics? -- Chapter 2: Pragmatics and the Analysis of Fiction -- Chapter 3: Narrative Tradition in Fiction: A Pragma-Stylistic Approach -- Chapter 4: Intradiegetic (Im)politeness or How the (Im)politeness Theory is used for Internal Characterisation -- Chapter 5: Extradiegetic (Im)politeness or How the Implied Author Communicates with the Reader -- Chapter 6: Conclusion.
001454913 506__ $$aAccess limited to authorized users.
001454913 520__ $$aThis book is a pragma-stylistic study of Ian McEwan's fiction, providing a qualitative analysis of his selected novels using (im)politeness theory. (Im)politeness is investigated on two levels of analysis: the level of the plot and the story world (intradiegetic level) and the level of the communication between the implied author and implied reader in fiction (extradiegetic level). The pragmatic theory of (im)politeness serves the aim of internal characterisation and helps readers to better understand and explain the characters⁰́₉ motivations and actions, based on the stylistic analysis of their speech and thoughts and point of view. More importantly, the book introduces the notion of "the impoliteness of the literary fiction" a state of affairs where the implied author (or narrator) expresses their impolite beliefs to the reader through the text, which has face-threatening consequences for the audience, e.g. moral shock or disgust, dissociation from the protagonist, feeling hurt or "put out". Extradiegetic impoliteness, one of the key characteristics of McEwan's fiction, offers an alternative to the literary concept of "a secret communion of the author and reader" (Booth 1961), describing an ideal connection, or good rapport, between these two participants of fictional communication. This book aims to unite literary scholars and linguists in the debate on the benefits of combining pragmatics and stylistics in literary analysis, and it will be of interest to a wide audience in both fields.
001454913 588__ $$aOnline resource; title from PDF title page (SpringerLink, viewed March 1, 2023).
001454913 60010 $$aMcEwan, Ian$$xCriticism and interpretation.
001454913 650_0 $$aCourtesy in literature.
001454913 655_0 $$aElectronic books.
001454913 852__ $$bebk
001454913 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-031-18690-5$$zOnline Access$$91397441.1
001454913 909CO $$ooai:library.usi.edu:1454913$$pGLOBAL_SET
001454913 980__ $$aBIB
001454913 980__ $$aEBOOK
001454913 982__ $$aEbook
001454913 983__ $$aOnline
001454913 994__ $$a92$$bISE