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Cover
Title Page
Copyright
Dedication
Contents
Introduction: Always Historicize the Moving Image! Fredric Jameson's Place in Film Studies
1. Feeling Film as the Pulse of the Postmodern Condition: On Jameson's "On Diva"
2. Allegory and Accommodation: Vertov's Three Songs of Lenin (1934) as a Stalinist Film
3. Nostalgia, Melancholy, and the Persistence of Stalin in Polish Cinema
4. Jameson, Angelopoulos, and the Spirit of Utopia
5. Jameson and Japanese Media Theory: A Virtual Dialogue
6. Where Jameson Meets Queer Theory: Queer Cognitive Mapping in 1990s Sinophone Cinema
7. A Jamesonian Reading of Parasite (2019): Homes, Real Estate Speculation, and Bubble Markets in Seoul
8. Strategies of Containment in Middle-Class Films from Mexico and Brazil
9. The Neoliberal Conspiracy: Jameson, New Hollywood, and All the President's Men
10. The Conspiracy Film, Hollywood's Cultural Paradigms, and Class Consciousness
11. A Theory of the Medium Shot: Affective Mapping and the Logic of the Encounter in Fredric Jameson's The Geopolitical Aesthetic
12. "An American Utopia" and the Politics of Military Science Fiction
Afterword
Acknowledgments
Notes on Contributors
Index.

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