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001456726 050_4 $$aPN1995.9.F44$$bG76 2009
001456726 08204 $$a791.43/6522$$222
001456726 1001_ $$aGrossman, Julie,$$d1962-
001456726 24510 $$aRethinking the femme fatale in film noir:$$bready for her close-up /$$cJulie Grossman.
001456726 260__ $$aBasingstoke, UK ;$$aNew York :$$bPalgrave Macmillan,$$c2009.
001456726 300__ $$a1 online resource (xi, 176 pages ) :$$billustrations
001456726 336__ $$atext$$2rdacontent
001456726 337__ $$acomputer$$2rdamedia
001456726 338__ $$aonline resource$$2rdacarrier
001456726 504__ $$aIncludes bibliographical references and index.
001456726 5050_ $$aIntroduction : "no one mourns the wicked" -- Film noir's "femmes fatales" : moving beyond gender fantasies -- "Well, aren't we ambitious? : desire, domesticity, and the "femme fatale" -- Psychological disorders and "wiretapping the unconscious" : film noir listens to women -- Looking back - Victorinoir: modern women and the fatal(e) progeny of Victorian representations -- Looking forward- deconstructing the "femme Fatale".
001456726 506__ $$aAccess limited to authorized users.
001456726 520__ $$a"In the context of nineteenth-century Victorinoir and close readings of original-cycle film noir, Julie Grossman argues that the presence of the 'femme fatale' figure, as she is understood in film criticism and popular culture, is drastically over-emphasized and has helped to sustain cultural obsessions with 'bad' women"--Provided by publisher.
001456726 650_0 $$aFemmes fatales in motion pictures.
001456726 650_0 $$aFilm noir$$xHistory and criticism.
001456726 655_0 $$aElectronic books
001456726 852__ $$bebk
001456726 85640 $$3ProQuest Ebook Central Academic Complete $$uhttps://univsouthin.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=555490$$zOnline Access
001456726 909CO $$ooai:library.usi.edu:1456726$$pGLOBAL_SET
001456726 980__ $$aBIB
001456726 980__ $$aEBOOK
001456726 982__ $$aEbook
001456726 983__ $$aOnline