Wild West shows and the images of American Indians, 1883-1933 / L.G. Moses.
1996
GV1833 .M67 1996
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Details
Title
Wild West shows and the images of American Indians, 1883-1933 / L.G. Moses.
Edition
1st ed.
ISBN
0826316859
9780826316851
9780826316851
Publication Details
Albuquerque : University of New Mexico Press, ©1996.
Language
English
Description
xvii, 364 pages : illustrations ; 25 cm
Call Number
GV1833 .M67 1996
Dewey Decimal Classification
791.8/4
Summary
An Ihanktonwan-Sicangu Sioux, explaining why he enjoyed his years spent performing in Wild West shows, remarked: "It gave me a chance to get back on a horse and act it out again." Between the 1880s and the 1930s Show Indians depicted their warfare with whites and portrayed scenes from their culture in productions that traveled throughout the United States and Europe and drew huge audiences - well over a million people in 1885 alone. Were they simply tipi-and-war bonnet Indians exploited by entrepreneurs like Buffalo Bill? That view, commonly held by reformers of the 1890s, has been uncritically accepted ever since. This book is the first to examine the lives and experiences of Show Indians from their own point of view. Their dances, re-enactments of battles, and village encampments, the author demonstrates, helped preserve the Indians' cultural heritage through decades of forced assimilation.
This book also looks at Wild West shows as ventures in the entertainment business. By considering financing, scripting, recruitment, logistics, and public and creditor perceptions, L.G. Moses reveals the complexity of the enterprise and the numerous - and often contradictory - meanings the shows had for Indians, entrepreneurs, audiences, and government officials.
This book also looks at Wild West shows as ventures in the entertainment business. By considering financing, scripting, recruitment, logistics, and public and creditor perceptions, L.G. Moses reveals the complexity of the enterprise and the numerous - and often contradictory - meanings the shows had for Indians, entrepreneurs, audiences, and government officials.
Note
This book also looks at Wild West shows as ventures in the entertainment business. By considering financing, scripting, recruitment, logistics, and public and creditor perceptions, L.G. Moses reveals the complexity of the enterprise and the numerous - and often contradictory - meanings the shows had for Indians, entrepreneurs, audiences, and government officials.
Bibliography, etc. Note
Includes bibliographical references (pages 341-350) and index.
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Table of Contents
Before the Wild West show
The first years of Cody's Wild West
The Wild West of London
Reformers and the image of the show Indian
Indians abroad, 1889-1890
Ghost dancers of London, 1891-1892
Indians on the midway : fairs and expositions, 1893-1903
Show-Indian students in St. Louis, 1904
The Wild West show in its prime, 1900-1917
Federal policies and alternate images, 1900-1917
Filming the Wild West, 1896-1913
Decline of the Wild West shows, 1917-1933.
The first years of Cody's Wild West
The Wild West of London
Reformers and the image of the show Indian
Indians abroad, 1889-1890
Ghost dancers of London, 1891-1892
Indians on the midway : fairs and expositions, 1893-1903
Show-Indian students in St. Louis, 1904
The Wild West show in its prime, 1900-1917
Federal policies and alternate images, 1900-1917
Filming the Wild West, 1896-1913
Decline of the Wild West shows, 1917-1933.