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Introduction by Kathrin Dreckmann and Elfi Vomberg I MEDIA ARCHAEOLOGY: THE BEGINNING OF HYBRID MEDIA 1 Music Video and Its Convergence Potential: From the Hybrid to the Permeable Henry Keazor, Heidelberg University, Germany 2 Sound & Vision: Early Artists' Video and Music Chris Meigh-Andrews, University of Central Lancashire, UK 3 The Process of Creating Was More Important Than the Object: Interview with Ulrike Rosenbach II MEDIA ARCHIVES ON HYBRIDS 4 It Belongs in a Museum? Music Videos in Danish Museum Exhibitions Mathias Bonde Korsgaard, Aarhus University, Denmark 5 "No Returns for Dislike": How Music Videos and Video Art Entered the Living Room in the 1980s Linnea Semmerling, Düsseldorf Inter Media Art Institute (IMAI), Germany 6 An Aura with Pencil, Brushes, and Pixels: Interview with Wulf Herzogenrath, III HYBRID IMAGINES: MEDIA AESTHETICS BETWEEN POP AND IDENTITY 7 "You Need To Calm Down"
Stardom and Cancel Culture: The Music Video as an Audiovisual Protest Poster Elfi Vomberg, Heinrich Heine University, Germany 8 Facing the Lens of the Camera: Bodies, Self-portraiture, Portraiture, and Identity in Women Artists' Video Laura Leuzzi, Robert Gordon University, University of Abertay, UK 9 Spirit of Creation
Between Documenting, Expressing, and Archiving: Interview with AnAkA IV AESTHETICS OF POPULAR MEDIA HYBRIDS 10 Trans* Bowie...Trans* Prince Jack Halberstam, Columbia University, USA 11 "Black Queen and King": Iconographies of Self-empowerment, Canon, and Pop in the Current Music Video Kathrin Dreckmann, Heinrich Heine University, Germany 12 Audiovisual Art Is About Hybridization: Interview with Barbara London V FUTURE AESTHETICS ON HYBRID MEDIA 13 Music Video Distortion and Posthuman Technogenesis Kristen Lillvis, St. Catherine University, USA 14 Untimely Futures and the Art of Revolutionary Life Jami Weinstein, Linkoping University, Sweden 15 Feeling Closer to the Track
The Representation of Blackness in Music Video: Interview with Modu Sesay VI MEDIA ART HYBRIDS 16 Hold Up: Mapping the Boundaries of Music Video and Video Art Kirsty Fairclough, Manchester Metropolitan University, UK 17 But Still... Is It Art? Contemporary Music Video, Art (Discourse), and Authority
Revisited Maren Butte, Heinrich Heine University, Germany 18 Time-based Media Art in Music Video
One Does Something the Other Cannot: Interview with Julia Stoschek Biographies Index.
Stardom and Cancel Culture: The Music Video as an Audiovisual Protest Poster Elfi Vomberg, Heinrich Heine University, Germany 8 Facing the Lens of the Camera: Bodies, Self-portraiture, Portraiture, and Identity in Women Artists' Video Laura Leuzzi, Robert Gordon University, University of Abertay, UK 9 Spirit of Creation
Between Documenting, Expressing, and Archiving: Interview with AnAkA IV AESTHETICS OF POPULAR MEDIA HYBRIDS 10 Trans* Bowie...Trans* Prince Jack Halberstam, Columbia University, USA 11 "Black Queen and King": Iconographies of Self-empowerment, Canon, and Pop in the Current Music Video Kathrin Dreckmann, Heinrich Heine University, Germany 12 Audiovisual Art Is About Hybridization: Interview with Barbara London V FUTURE AESTHETICS ON HYBRID MEDIA 13 Music Video Distortion and Posthuman Technogenesis Kristen Lillvis, St. Catherine University, USA 14 Untimely Futures and the Art of Revolutionary Life Jami Weinstein, Linkoping University, Sweden 15 Feeling Closer to the Track
The Representation of Blackness in Music Video: Interview with Modu Sesay VI MEDIA ART HYBRIDS 16 Hold Up: Mapping the Boundaries of Music Video and Video Art Kirsty Fairclough, Manchester Metropolitan University, UK 17 But Still... Is It Art? Contemporary Music Video, Art (Discourse), and Authority
Revisited Maren Butte, Heinrich Heine University, Germany 18 Time-based Media Art in Music Video
One Does Something the Other Cannot: Interview with Julia Stoschek Biographies Index.