001461426 000__ 04191cam\a2200577\i\4500
001461426 001__ 1461426
001461426 003__ OCoLC
001461426 005__ 20230503003352.0
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001461426 008__ 230315s2023\\\\sz\a\\\\o\\\\\000\0\eng\d
001461426 019__ $$a1372621338$$a1373232087
001461426 020__ $$a9783031259531$$q(electronic bk.)
001461426 020__ $$a303125953X$$q(electronic bk.)
001461426 020__ $$z3031259521
001461426 020__ $$z9783031259524
001461426 0247_ $$a10.1007/978-3-031-25953-1$$2doi
001461426 035__ $$aSP(OCoLC)1372628381
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001461426 050_4 $$aNX650.E58
001461426 08204 $$a701.03$$223/eng/20230315
001461426 1001_ $$aSheren, Ila N.,$$eauthor.
001461426 24510 $$aBorder ecology :$$bart and environmental crisis at the margins /$$cIla Nicole Sheren.
001461426 264_1 $$a[Cham] :$$bPalgrave Macmillan,$$c2023.
001461426 300__ $$a1 online resource :$$bcolor illustrations
001461426 336__ $$atext$$btxt$$2rdacontent
001461426 337__ $$acomputer$$bc$$2rdamedia
001461426 338__ $$aonline resource$$bcr$$2rdacarrier
001461426 5050_ $$aChapter one: Introduction -- Chapter two: The Boundaries of the Map -- Chapter three: Landscapes of Slow Violence -- Chapter four: Entanglements -- Chapter five: Border Crossers -- Chapter six: Conclusions and New Directions: Border Art for a Border Ecology.
001461426 506__ $$aAccess limited to authorized users.
001461426 520__ $$aBorder Ecology is an important and accessible art historical analysis of mainly digital art and its borderlands references that promises to ignite new conversations in Border Studies, American Studies, Environmental Studies, just to name a few fields. Border Ecology considers both well-known and lesser known artworks, and brilliantly challenges the reader to reconsider what is seen and visible and what is not. John-Michael H. Warner, Kent State University, USA This book analyzes how contemporary visual art can visualize environmental crisis. It draws on Karen Barads method of agential realism, which understands disparate factors as working together and entangled. Through an analysis of digital eco art, the book shows how the entwining of new materialist and decolonized approaches accounts for the nonhuman factors shaping ecological crises while understanding that a purely object-driven approach misses the histories of human inequality and subjugation encoded in the environment. The resulting synthesis is what the author terms a border ecology, an approach to eco art from its margins, gaps, and liminal zones, deliberately evoking the idea of an ecotone. This book is suitable for scholarly audiences within art history, criticism and practice, but also across disciplines such as the environmental humanities, media studies, border studies and literary eco-criticism. Ila Nicole Sheren is Associate Professor in the Department of Art History & Archaeology at Washington University in St. Louis, USA. Her first book Portable Borders: Performance Art and Politics on the U.S. Frontera since 1984 (2015), focused on the shifting definition of site-specificity in art of the U.S.-Mexico border region.
001461426 588__ $$aDescription based on print version record.
001461426 650_0 $$aEnvironmentalism in art.
001461426 650_0 $$aArt, Modern$$y21st century.
001461426 655_0 $$aElectronic books.
001461426 77608 $$iPrint version:$$aSHEREN, ILA NICOLE.$$tBORDER ECOLOGY.$$d[Place of publication not identified] : PALGRAVE MACMILLAN, 2023$$z3031259521$$w(OCoLC)1362487905
001461426 852__ $$bebk
001461426 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-031-25953-1$$zOnline Access$$91397441.1
001461426 909CO $$ooai:library.usi.edu:1461426$$pGLOBAL_SET
001461426 980__ $$aBIB
001461426 980__ $$aEBOOK
001461426 982__ $$aEbook
001461426 983__ $$aOnline
001461426 994__ $$a92$$bISE