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Table of Contents
1. Introduction, Joel Hawkes (Lecturer in English, University of Victoria); Alex Christie, PhD (Assistant Professor in Digital Prototyping, Brock University); Thomas Nienhuis (Lecturer in English, Camosun College)
2. Section One Introduction
3. Occupied Space: The Contested Habitation of Terok Nor/ Deep Space Nine, Ina Rae Hark (Distinguished Professor Emerita in Film and Media Studies, University of South Carolina)
4. Welwala at the Borders: Language, Space, and Power in The Expanse, Matt Barton (Professor in English, St. Cloud State University); Sharon Cogdill (Professor in English, St. Cloud State University); Michael B. Dando (Assistant Professor in English, St. Cloud State University); Ed Sadrai (Assistant Professor in English, St. Cloud State University)
5. Youve Seen One Post-Apocalyptic City, Youve Seen Them All: The Scales and Failures of the Right to the City and the Science Fiction Production of Space in Love, Death and Robots, Phevos Kallitsis (Senior Lecturer in Architecture, University of Portsmouth)
6. Heaven is a Place on Earth?: The Horizon of Queer Utopia in Black Mirrors San Junipero, Orin Posner (PhD candidate in English, Tel-Aviv University)
7. SVOD: A Place for (Outer)Space? Andrew Lynch and Alexa Scarlata (PhD candidates in Culture and Communications, University of Melbourne)
8. Section Two Introduction
9. The Year Everything Changed: Babylon 2020, Alex Christie (Assistant Professor in Digital Prototyping, Brock University, editor of this collection)
10. The Wars of Ronald D. Moore: Terrorism, Insurgency, and News Media in Deep Space Nine and Battlestar Galactica, Benjamin Griffin (Professor and Major, United States Army, Fort Leavenworth)
11. To ensure the safety of the Republic, we must deregulate the banks: A Social Democratic Reading of Star Wars: The Clone Wars, Edward Guimont (PhD candidate in History, University of Connecticut)
12. Enclosing and Opening the Spaces of Embodied Modernity in The Expanse, Edward Royston (Assistant Professor of English, Pfeiffer University)
13. Section Three Introduction
14. Prestige TV and the Corporate Long Con: Disembodied Spaces of Westworld, John Bruni (Adjunct Professor, School of Communication, Grand Valley State University)
15. Wading in the Upside-Down: Topsy-Turvy Media Spaces in Stranger Things, Nicolas Orlando (Humanities Instructor, Hillsborough Community College)
16. Memos from the Novels Author: The Adaptation of Flash Forward for Television as a Series of Foucauldian Mirrors, Ellen Michelle (Editor, owner of Constellate Publishing)
17. Section Four Introduction
18. The Boys Keep Swinging, Sean Redmond (Professor of Screen and Design, Deakin University)
19. I Am Also A We: Queer Slippage and Fan Activism in Netflixs Sense8, Alex Xanthoudakis (MA candidate in Publishing, Simon Fraser University)
20. Fringe and Dollhouse: Predicting the Apocalypse in the Spectral Bodies of Unconscious Viewers, Joel Hawkes (Lecturer in English, University of Victoria, editor of this collection)
21. Postscript, Mark Bould (University of West England).
2. Section One Introduction
3. Occupied Space: The Contested Habitation of Terok Nor/ Deep Space Nine, Ina Rae Hark (Distinguished Professor Emerita in Film and Media Studies, University of South Carolina)
4. Welwala at the Borders: Language, Space, and Power in The Expanse, Matt Barton (Professor in English, St. Cloud State University); Sharon Cogdill (Professor in English, St. Cloud State University); Michael B. Dando (Assistant Professor in English, St. Cloud State University); Ed Sadrai (Assistant Professor in English, St. Cloud State University)
5. Youve Seen One Post-Apocalyptic City, Youve Seen Them All: The Scales and Failures of the Right to the City and the Science Fiction Production of Space in Love, Death and Robots, Phevos Kallitsis (Senior Lecturer in Architecture, University of Portsmouth)
6. Heaven is a Place on Earth?: The Horizon of Queer Utopia in Black Mirrors San Junipero, Orin Posner (PhD candidate in English, Tel-Aviv University)
7. SVOD: A Place for (Outer)Space? Andrew Lynch and Alexa Scarlata (PhD candidates in Culture and Communications, University of Melbourne)
8. Section Two Introduction
9. The Year Everything Changed: Babylon 2020, Alex Christie (Assistant Professor in Digital Prototyping, Brock University, editor of this collection)
10. The Wars of Ronald D. Moore: Terrorism, Insurgency, and News Media in Deep Space Nine and Battlestar Galactica, Benjamin Griffin (Professor and Major, United States Army, Fort Leavenworth)
11. To ensure the safety of the Republic, we must deregulate the banks: A Social Democratic Reading of Star Wars: The Clone Wars, Edward Guimont (PhD candidate in History, University of Connecticut)
12. Enclosing and Opening the Spaces of Embodied Modernity in The Expanse, Edward Royston (Assistant Professor of English, Pfeiffer University)
13. Section Three Introduction
14. Prestige TV and the Corporate Long Con: Disembodied Spaces of Westworld, John Bruni (Adjunct Professor, School of Communication, Grand Valley State University)
15. Wading in the Upside-Down: Topsy-Turvy Media Spaces in Stranger Things, Nicolas Orlando (Humanities Instructor, Hillsborough Community College)
16. Memos from the Novels Author: The Adaptation of Flash Forward for Television as a Series of Foucauldian Mirrors, Ellen Michelle (Editor, owner of Constellate Publishing)
17. Section Four Introduction
18. The Boys Keep Swinging, Sean Redmond (Professor of Screen and Design, Deakin University)
19. I Am Also A We: Queer Slippage and Fan Activism in Netflixs Sense8, Alex Xanthoudakis (MA candidate in Publishing, Simon Fraser University)
20. Fringe and Dollhouse: Predicting the Apocalypse in the Spectral Bodies of Unconscious Viewers, Joel Hawkes (Lecturer in English, University of Victoria, editor of this collection)
21. Postscript, Mark Bould (University of West England).