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001461658 001__ 1461658
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001461658 005__ 20230503003404.0
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001461658 020__ $$a3031086155$$qelectronic book
001461658 020__ $$a9783031086151$$qelectronic book
001461658 0247_ $$a10.1007/978-3-031-08615-1$$2doi
001461658 035__ $$aSP(OCoLC)1373985949
001461658 040__ $$aEBLCP$$beng$$erda$$cEBLCP$$dGW5XE$$dN$T$$dOCLCF$$dYDX
001461658 049__ $$aISEA
001461658 050_4 $$aML3918.P67$$bP67 2023
001461658 08204 $$a306.4/8424$$223/eng/20230328
001461658 24500 $$aPopular music scenes :$$bregional and rural perspectives /$$cAndy Bennett, David Cashman, Ben Green, Natalie Lewandowski, editors.
001461658 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan, an imprint of Springer,$$c[2023]
001461658 300__ $$a1 online resource (xxxi, 253 pages) :$$billustrations (black and white, and colour).
001461658 336__ $$atext$$btxt$$2rdacontent
001461658 337__ $$acomputer$$bc$$2rdamedia
001461658 338__ $$aonline resource$$bcr$$2rdacarrier
001461658 4901_ $$aPop music, culture and identity,$$x2634-6621
001461658 500__ $$aPart III: Memory
001461658 504__ $$aIncludes bibliographical references and index.
001461658 5050_ $$aIntro -- Acknowledgements -- Contents -- Notes on Contributors -- List of Figures -- List of Tables -- Introduction: Popular Music Scenes in a Regional and Rural Context -- References -- Part I: People and Place -- Chapter 1: Music at the End of the Land: Reflections on the Pembrokeshire Music Network -- The Blurred Canvas: Pembrokeshire's 'Embedded' and 'Parallel' Scenes -- The Present: The Ephemeral Essence of the Network -- Conclusions -- References -- Chapter 2: Diamonds in the Backyard: Migrant Youth and Hip Hop in Australian Regional Towns -- Background and Methodology
001461658 5058_ $$aRegional Settings of Migrant Youth Belonging -- Hip Hop as a Space of Belonging: Juggling Contradictions, Connecting Cultural Worlds -- Regional Places for Hip Hop -- Music Pathways of Regional Migrant Youth -- Conclusion -- References -- Chapter 3: From the City to the Bush: An Autoethnographic Reflection on Australia's Urban and Rural Music Scenes -- Some Definitions -- The Autoethnographic Approach and My Insider/Outsider Perspective -- Emergent Themes -- Resources -- What Is Professional? -- The Performer/Educator Nexus and Diversification -- The Value of Music and Musicians
001461658 5058_ $$aGoing Bush, What Did It Mean and Am I Still Relevant? -- Sense of Place and Identity in the Bush -- Concluding Thoughts, Limitations and Future Directions -- References -- Part II: Technology and Distribution -- Chapter 4: Sounds and Peripheral Places: Trajectory and Portrait of the Rock Scene in Tâmega (Portugal) Over the Last Decade -- Disturbing the Scene -- Methodological Approach -- Sound Check in the Countryside: Regional and Rural Music Scenes -- Big Dreams Without Traditional Stages -- Conclusion -- References
001461658 5058_ $$aChapter 5: Indian Electronic Dance Music Festivals as Spaces of Play in Regional Settings: Understanding Situated and Digital Electronic Dance Music Performances -- Regional Sites as Festal Performative Spaces -- Situated Experiences of Festival Bodies -- Performing EDMC: Festival Bodies at Regional Sites -- Translocal Sounds of EDMC -- The Role of Technology in the Perpetuation of EDMC -- Conclusion -- References -- Chapter 6: 'Take Me to Church': Developing Music Worlds Through the Creative Peripheral Placemaking and Programming of Other Voices -- Thar Áit (Beyond Place)
001461658 5058_ $$aBonds and Borderlands: Methods, Networks and Edges -- The Known World, What We Know Now: The Centrality of Events -- Bringing It All Back Home -- References -- Chapter 7: The Creative Music Networks of Regional Recording Studios: A Case Study of the Sunshine Coast and Gympie -- The Sunshine Coast and Gympie Compared -- The Protean Nature of the Recording Practice and Associated Creative Networks -- Research Findings from the Sunshine Coast and Gympie -- Domestic Operations -- Material Networks -- The Internet, Client Base, Income and Type of Practice -- Discussion and Conclusion -- References
001461658 506__ $$aAccess limited to authorized users.
001461658 520__ $$aThis book examines regional and rural popular music scenes in Europe, Asia, North America and Australia. The book is divided into four parts. Part 1 will focus on the spatial aspects of regional popular music scenes and how place and locality inform the perceptions and discourses of those involved in such scenes. Part 2 focuses on the technologies and forms of distribution whereby regional and rural popular music scenes exist and, in many cases co-exist in forms of trans-local connection with other scenes. Part 3 considers the importance of collective memory in the way that regional and rural popular music scenes are constructed in both the past and the present. Part 4 examines themes of industry and policy, in relation to culture and music, as these impact on the nature and identity of rural and regional popular music scenes. Andy Bennett is Professor of Cultural Sociology in the School of Humanities, Languages and Social Science at Griffith University in Queensland, Australia. He has written and edited numerous books including Popular Music and Youth Culture, Music, Style and Aging and Music Scenes (co-edited with Richard A. Peterson). David Cashman is an Adjunct Associate Professor of Contemporary Music at Southern Cross University. He writes on regional music scenes, live popular music, and music and tourism. Ben Green is a Postdoctoral Research Fellow of the Griffith Centre for Social and Cultural Research at Griffith University in Queensland, Australia. He is the author of Peak Music Experiences: A New Perspective on Popular Music, Identity and Scenes. Natalie Lewandowski is an Adjunct of the Creative Arts Institute at Griffith University in Queensland, Australia. Her experience working across government, the arts, academia and commercial industries has resulted in publications and engagement with film sound, music sustainability, music and wellbeing.
001461658 588__ $$aDescription based on online resource; title from digital title page (viewed on April 27, 2023).
001461658 650_0 $$aPopular music$$xSocial aspects.
001461658 655_0 $$aElectronic books.
001461658 7001_ $$aBennett, Andy,$$d1963-$$eeditor.
001461658 7001_ $$aCashman, David,$$eeditor.
001461658 7001_ $$aGreen, Ben$$c(Cultural sociologist),$$eeditor.
001461658 7001_ $$aLewandowski, Natalie,$$eeditor.
001461658 77608 $$iPrint version:$$aBennett, Andy$$tPopular Music Scenes$$dCham : Springer International Publishing AG,c2023$$z9783031086144
001461658 830_0 $$aPop music, culture and identity.$$x2634-6621
001461658 852__ $$bebk
001461658 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-031-08615-1$$zOnline Access$$91397441.1
001461658 909CO $$ooai:library.usi.edu:1461658$$pGLOBAL_SET
001461658 980__ $$aBIB
001461658 980__ $$aEBOOK
001461658 982__ $$aEbook
001461658 983__ $$aOnline
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