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Table of Contents
1. Narrative worlds/image orders. An introduction to the text
2. Literary self-assertion and experimentation with form: The narrative beginnings
3. Experimentation and design: The plays, prose works and radio plays up to 1973
4. Rediscovery of subjectivity: Lines of development in poetry
5. Return to narrative and new subjectivity
6. Return to the beginnings of the ego and the promise of images
7. Re-establishment of the narrator in the return to tradition
8. Self-reflection and poetological sketches: The journals, sketches and notes
9. Transmutation of the self in writing
10. The experiment of remembering description
11. The fundamental other of poetry: Handke's double discourse on Serbia
12. Between drama and epic: The plays after 1989
13. The competition between word and image
14. Dialectic of history and revocation of modernity
15. Basic lines of Handke's reception in literary criticism and science
Bibliography.
2. Literary self-assertion and experimentation with form: The narrative beginnings
3. Experimentation and design: The plays, prose works and radio plays up to 1973
4. Rediscovery of subjectivity: Lines of development in poetry
5. Return to narrative and new subjectivity
6. Return to the beginnings of the ego and the promise of images
7. Re-establishment of the narrator in the return to tradition
8. Self-reflection and poetological sketches: The journals, sketches and notes
9. Transmutation of the self in writing
10. The experiment of remembering description
11. The fundamental other of poetry: Handke's double discourse on Serbia
12. Between drama and epic: The plays after 1989
13. The competition between word and image
14. Dialectic of history and revocation of modernity
15. Basic lines of Handke's reception in literary criticism and science
Bibliography.