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001461881 001__ 1461881
001461881 003__ OCoLC
001461881 005__ 20230503003415.0
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001461881 008__ 230330s2023\\\\enk\\\\\oq\\\\001\0\eng\d
001461881 019__ $$a1374189390
001461881 020__ $$a9783031167003$$q(electronic bk.)
001461881 020__ $$a3031167007$$q(electronic bk.)
001461881 020__ $$z9783031166990
001461881 020__ $$z303116699X
001461881 0247_ $$a10.1007/978-3-031-16700-3$$2doi
001461881 035__ $$aSP(OCoLC)1374247533
001461881 040__ $$aGW5XE$$beng$$erda$$epn$$cGW5XE$$dYDX
001461881 043__ $$aa-ii---
001461881 049__ $$aISEA
001461881 050_4 $$aPN1993.5.I8
001461881 08204 $$a791.43/65220954$$223/eng/20230330
001461881 24500 $$aGender, cinema, streaming platforms :$$bshifting frames in neoliberal India /$$cŠarunas Paunksnis, Runa Chakraborty Paunksnis, editors.
001461881 264_1 $$aBasingstoke :$$bPalgrave Macmillan,$$c[2023]
001461881 264_4 $$c©2023
001461881 300__ $$a1 online resource (xiii, 285 pages)
001461881 336__ $$atext$$btxt$$2rdacontent
001461881 337__ $$acomputer$$bc$$2rdamedia
001461881 338__ $$aonline resource$$bcr$$2rdacarrier
001461881 504__ $$aIncludes filmography and index.
001461881 5050_ $$aChapter 1. Introduction -- Chapter 2. Biopolitics of Hindutva: Masculinity and Violence in Leila and Aashram -- Chapter 3. Questioning the Great in The Great Indian Wedding: Streaming Feminism through Band Baaja Baaraat and Made in Heaven -- Chapter 4. Questioning the Great in The Great Indian Wedding: Streaming Feminism through Band Baaja Baaraat and Made in Heaven -- Chapter 5. Lust Stories and the Politics of Private Viewing on SVOD Platforms -- Chapter 6. New Feminist Visibilities and Sisterhood: Re-interpreting Marriage, Desire, and Self-fulfilment in Mainstream Hindi Cinema -- Chapter 7. Gaze Averted: Interrogating the Portrayal of Menstruation in Hindi Cinema -- Chapter 8. Gender and Nationalism: The Journey of Sehmat in Meghna Gulzars Raazi -- Chapter 9. Indias Daughter: The Banality of Rape -- Chapter 10. The Deeply Personal Is Deeply Political: New Voices in Womens Documentary Practice in Indian Subcontinent -- Chapter 11. On Cinematic Transformation, Gender and Religion. An Interview with Ashish Avikunthak.
001461881 506__ $$aAccess limited to authorized users.
001461881 520__ $$aThis book offers interdisciplinary examination of gender representations in cinema and SVOD (Subscription Video on Demand) platforms in India. This book will identify how the so-called feminist enunciations in twenty-first century film and SVOD content in India are marked by an ambiguous entanglement of feminist and postfeminist rhetoric. Set against the backdrop of two significant contemporary phenomena, namely neoliberalism and the digital revolution, this book considers how neoliberalism, aided by technological advancement, re-configured the process of media consumption in contemporary India and how representation of gender is fraught with multiple contesting trajectories. The book looks at two types of mediacinema and SVOD platforms, and explores the reasons for this transformation that has been emerging in India over the past two decades. Keeping in mind the complex paradoxes that such concomitant process of the contraries can invoke, the book invites myriad responses from the authors who view the shifting gender representations in postmillennial Hindi cinema and SVOD platforms from their specific ideological standpoints. The book includes a wide array of genres, from commercial Hindi films to SVOD content and documentary films, and aims to record the transformation facilitated by economic as well as technological revolutions in contemporary India across various media formats. Dr. Runa Chakraborty Paunksnis teaches at Kaunas University of Technology, Lithuania. Her research interests include gender, caste, media representations and subaltern literature. Her academic articles and book chapters have been published by reputed international publishers. She is also a creative writer and translator. Her translated stories have been published by Orient Blackswan and Sahitya Akademi, New Delhi. Dr. arnas Paunksnis teaches at Kaunas University of Technology, Lithuania. His research interests include politics, new media, Indian cinema, science and technology studies and postcolonial theory. He is author of Dark Fear, Eerie Cities: New Hindi Cinema in Neoliberal India (2019) and the editor of Dislocating Globality: Deterritorialization, Difference and Resistance (2016).
001461881 588__ $$aDescription based on print version record.
001461881 650_0 $$aMotion picture industry$$zIndia.
001461881 650_0 $$aWomen in motion pictures.
001461881 650_0 $$aSex discrimination in motion pictures.
001461881 650_0 $$aStreaming technology (Telecommunications)$$zIndia.
001461881 650_0 $$aNeoliberalism$$zIndia.
001461881 655_0 $$aElectronic books.
001461881 7001_ $$aPaunksnis, Sarunas,$$eeditor.$$1https://isni.org/isni/0000000452181405
001461881 7001_ $$aPaunksnis, Runa Chakraborty,$$eeditor.
001461881 77608 $$iPrint version:$$tGender, cinema, streaming platforms.$$dBasingstoke : Palgrave Macmillan, 2022$$z9783031166990$$w(OCoLC)1350353487
001461881 852__ $$bebk
001461881 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-031-16700-3$$zOnline Access$$91397441.1
001461881 909CO $$ooai:library.usi.edu:1461881$$pGLOBAL_SET
001461881 980__ $$aBIB
001461881 980__ $$aEBOOK
001461881 982__ $$aEbook
001461881 983__ $$aOnline
001461881 994__ $$a92$$bISE