001462030 000__ 03784cam\a2200601\i\4500
001462030 001__ 1462030
001462030 003__ OCoLC
001462030 005__ 20230503003423.0
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001462030 019__ $$a1374244241$$a1374427841
001462030 020__ $$a9783031233364$$q(electronic bk.)
001462030 020__ $$a3031233360$$q(electronic bk.)
001462030 020__ $$z9783031233357
001462030 020__ $$z3031233352
001462030 0247_ $$a10.1007/978-3-031-23336-4$$2doi
001462030 035__ $$aSP(OCoLC)1375083103
001462030 040__ $$aGW5XE$$beng$$erda$$epn$$cGW5XE$$dEBLCP$$dLGG$$dYDX
001462030 049__ $$aISEA
001462030 050_4 $$aGV1588.6
001462030 08204 $$a306.4/846$$223/eng/20230406
001462030 1001_ $$aShay, Anthony,$$d1936-$$eauthor.
001462030 24510 $$aFolk dance and the creation of national identities :$$bstaging the folk /$$cAnthony Shay.
001462030 264_1 $$aCham :$$bPalgrave Macmillan,$$c2023.
001462030 300__ $$a1 online resource (xlvii, 302 pages) :$$billustrations.
001462030 336__ $$atext$$btxt$$2rdacontent
001462030 337__ $$acomputer$$bc$$2rdamedia
001462030 338__ $$aonline resource$$bcr$$2rdacarrier
001462030 504__ $$aIncludes bibliographical references and index.
001462030 5050_ $$aIntroduction -- Chapter 1 - The Folk -- Chapter 2 - Mazowsze: Poland on Stage -- Chapter 3 - The Hungarian State Folk Ensemble: Proper Peasants -- Chapter 4 - Founding Artistic Director Olga Skovran Stages the Serbian Folk -- Chapter 5 - Mahmoud Reda and the Egyptian Fellahin -- Chapter 6 - Hawaiian Hula, Patrick Makuakane, and Na Lei Hulu I ka Weikiu.
001462030 506__ $$aAccess limited to authorized users.
001462030 520__ $$aThis book is about the folk: the folk in folk dance, the folk in folklore, the folk in folk wisdom. When we see folk dance on the stage or in a tourist setting, which is the way in which many of us experience folk dance, the question arises are these the "real folk" performing their authentic dances? Or are they urban, well trained, carefully-rehearsed professional dancers who make their livelihood as representatives of a specific nation-state acting as the folk? Or something in between? This study delves more deeply into the folk, their origins, their identities in order to know the source of inspiration for ethno identity dances - dances prepared for the stage and the ballroom and for public performances from ballet, state folk dance ensembles and their amateur emulators, immigrant folk dance group performances, and tourist presentations. These dances, unlike modern dance, ballet, or most vernacular dances, always have strong ethnic references. It will also look at a gallery of choreographers and artistic directors across a wide spectrum of dance genres.
001462030 588__ $$aOnline resource; title from PDF title page (SpringerLink, viewed April 6, 2023).
001462030 650_0 $$aFolk dancing$$xSocial aspects.
001462030 650_0 $$aFolk dancing$$xPolitical aspects.
001462030 650_0 $$aNationalism.
001462030 655_0 $$aElectronic books.
001462030 77608 $$iPrint version:$$aShay, Anthony$$tFolk Dance and the Creation of National Identities$$dCham : Palgrave Macmillan US,c2023$$z9783031233357
001462030 852__ $$bebk
001462030 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-031-23336-4$$zOnline Access$$91397441.1
001462030 909CO $$ooai:library.usi.edu:1462030$$pGLOBAL_SET
001462030 980__ $$aBIB
001462030 980__ $$aEBOOK
001462030 982__ $$aEbook
001462030 983__ $$aOnline
001462030 994__ $$a92$$bISE