Jinshixue and Cultural Landscape in the Lower Yangtze River
Illustrated Records of Investigating Steles
The Stele School and Re-evaluation of Bafenshu
A Revival of Pre-Tang Scripts and its Impact on Art
New Look of Collectors' Accumulated Antiquities
Dashou and Composite Rubbing
Intertextual and Transmedia Approaches
From Evidential Learning to Festive Offering
Prelude to Jinshi Art
Dimension of Mobility in Wartime
Life of Jinshi Objects after the Taiping Rebellions
Antiquarian Approaches to Seal Carving
New Brush Mode Derived from Northern Wei Calligraphy
Jinshi Characteristics in Painting
Archaeological Elements in Commercial Art and Popular Culture
Evidential Learning and the Culture of Investigating Nature: From Bogu to Bowu
Tradition of Miscellaneous Painting
Illustrations of Local Resources
Natural History Paintings Made in China
Historification of Translated Modernity
Translating Bowu into National Essence
Another Role of Jinshi Society: Shanghai Tijinguan Epigraphy, Calligraphy and Painting Society (1911-26)
Defining Literati Painting Through Jinshi: Society of the Virtuous (1912-42)
Reclaiming Cultural Identity: Society of Cang Jie Study (1916-c. 1941)
Jinshi Society as Museum or Art Market?
Political Use of Jinshi: Re-writing History with Archaic Models