Cover
Half Title
Title
Copyright
Dedication
Contents
Acknowledgements
Introduction Seeing, Knowing, Lifting
Part I-Decolonizing Media Arts Institutions
Introduction to Part I
Chapter 1 Our Own Up There: A Discussion at imagineNATIVE
Chapter 2 Curating the North: Documentary Screening Ethics and Inuit Representation in Cinema
Chapter 3 Sights of Homecoming: Locating Restorative Sites of Passage in Zacharias Kunuk's Festival Performance of Angirattut
Part II-Protecting Culture
Introduction to Part II

Chapter 4 Addressing Colonial Trauma through Mi'kmaw Film
Chapter 5 Not Reconciled: The Complex Legacy of Films on Canadian ""Indian"" Residential Schools
Chapter 6 The Resurgence of Indigenous Women in Contemporary Québec Cinema
Chapter 7 ""Our Circle Is Always Open"": Indigenous Voices, Children's Rights, and Spaces of Inclusion in the Films of Alanis Obomsawin
Part III-Methods/Knowledges/Interventions
Introduction to Part III
Chapter 8 Indigenous Documentary Methodologies: ChiPaChiMoWin: Telling Stories
Chapter 9 Marking and Mapping Out Embodied Practices through Media Art

Chapter 10 Curatorial Insiders/Outsiders: Speaking Outside and Collaboration as Strategic Intervention
Chapter 11 The Generative Hope of Indigenous Interactive Media: Ecological Knowledge and Indigenous Futurism
Part IV-Resurgent Media/Allies/Advocacy
Introduction to Part IV
Chapter 12 ""Making Things Our [Digital] Own"": Lessons on Time and Sovereignty from Indigenous Computational Art
Chapter 13 Careful Images: Unsettling Testimony in the Gladue Video Project
Concluding Thoughts
Part 1: Beyond Words and Images
Part 2: Setting the Record Straight
About the Contributors