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Introduction. The Globalization of Conjunto
Part I. The Migration of Conjunto. "We love you, Flaco!" : Chicken Skin Music, "Mingomania," and the Inter/national Presentation of Conjunto ; "Ladies and gentlemen, Dodge presents Flaco Jiménez!" : Arhoolie Records, Keda Radio Jalapeño, and the Mediated Dispersal of Conjunto ; "From Texas to Washington and across to Michigan and Illinois...": Los Cuatro Vientos, Los Texmaniacs, Los Lobos, and the U.S. American Spread of Conjunto
Part II: The Hybridization of Conjunto. "You have to mix it up!": "Seguro Que Hell Yes," the Texas Tornados, Los Super Seven, and the Cultural Hybridity of Flaco Jiménez ; "I play the jazz accordion!" : "Rueda de Fuego (Ring of Fire)," "My Toot Toot," and the Country/Zydeco Influences of Mingo Saldívar and Steve Jordan ; "It's jealousy..." : Eva Ybarra and the Hybrid Offerings of Women in Conjunto
Part III. The Appropriation of Conjunto. "That's my music!" : Kenji Katsube, Dwayne Verheyden, and the Worldwide Participation in Conjunto ; "¡Esto es globalización!" : Rowwen Hèze, the Rolling Stones, and the Commercialized.

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