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001463178 001__ 1463178
001463178 003__ OCoLC
001463178 005__ 20230601003309.0
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001463178 019__ $$a1375289644$$a1375295697
001463178 020__ $$a9783031233487$$q(electronic bk.)
001463178 020__ $$a3031233484$$q(electronic bk.)
001463178 020__ $$z9783031233470
001463178 020__ $$z3031233476
001463178 0247_ $$a10.1007/978-3-031-23348-7$$2doi
001463178 035__ $$aSP(OCoLC)1375995493
001463178 040__ $$aGW5XE$$beng$$erda$$epn$$cGW5XE$$dEBLCP$$dYDX$$dUKAHL$$dYDX
001463178 049__ $$aISEA
001463178 050_4 $$aBF241$$b.D47 2023
001463178 08204 $$a152.14$$223/eng/20230414
001463178 1001_ $$aDerȩgowski, Jan B.,$$eauthor.$$1https://isni.org/isni/0000000110654962
001463178 24510 $$aOn picture making and picture seeing :$$ba brief discourse /$$cJan B. Deregowski.
001463178 264_1 $$aCham, Switzerland :$$bSpringer,$$c[2023]
001463178 300__ $$a1 online resource (152 pages) :$$billustrations (black and white, and color).
001463178 336__ $$atext$$btxt$$2rdacontent
001463178 337__ $$acomputer$$bc$$2rdamedia
001463178 338__ $$aonline resource$$bcr$$2rdacarrier
001463178 4901_ $$aVision, illusion, perception ;$$vvolume 4
001463178 504__ $$aIncludes bibliographical references.
001463178 5050_ $$aIntroduction in which the reader enters pictorial donnybrook -- On perception of depth, real and portrayed -- On perspective in many guises -- On prof. Farish's immediately comprehensible and Cezanne's immediately puzzling pictures -- On cultural press; If we draw, what and how should we draw?.
001463178 506__ $$aAccess limited to authorized users.
001463178 520__ $$aArchaeological and anthropological investigations of depictions seldom extend beyond a single culture or a single geographical location, although there is a powerful factor common to all depictions, the factor of human perception. In this volume an attempt is made to show how this factor affects both creation and recognition of depictions, how, in common with everyday vision of the environment, typical contours are derived and used, not merely to depict individually readily recognisable models, but also how by concatenation they lead to such a splendid figure as Australian Kakadu crocodiles, or by distortion to creation of illusions of pictorial depth, such as is evoked by Leonardo da Vincis perspective and by inverted (Byzantine) perspective thought by some to be an aberration. Bartels studies show that pictorial depth is often achieved to the artists, and many a viewers, but not to geometers satisfaction by partial distortion, and Chinese masterpieces embody, side by side, normal and inverted perspective. The visual process is universally uniform (if it were not, one would not be able to recognise an Altamira bison as a bison) and its foibles can be freely exploited. Its best known exploiter is probably Cezanne. His pictures are admired by many and puzzle many. Strzemiski postulated that they compound distinct lines of sight, thus endorsing primacy of central vision, a concept thought by Gombrich to be of greater import to geometers than to artists.
001463178 588__ $$aDescription based on print version record.
001463178 650_0 $$aVisual perception.
001463178 650_0 $$aPerception.
001463178 650_0 $$aArt$$xPsychology.
001463178 655_0 $$aElectronic books.
001463178 77608 $$iPrint version:$$aDerȩgowski, Jan B.$$tOn picture making and picture seeing.$$dCham : Springer, 2023$$z9783031233470$$w(OCoLC)1368272967
001463178 830_0 $$aVision, illusion, perception ;$$vv. 4.
001463178 852__ $$bebk
001463178 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-031-23348-7$$zOnline Access$$91397441.1
001463178 909CO $$ooai:library.usi.edu:1463178$$pGLOBAL_SET
001463178 980__ $$aBIB
001463178 980__ $$aEBOOK
001463178 982__ $$aEbook
001463178 983__ $$aOnline
001463178 994__ $$a92$$bISE