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Table of Contents
Intro
Preface
Contents
Image Processing for Knowledge and Comparison of Piranesi's Carceri Editions
1 Introduction
2 Image Processing for Comparing Versions of the Carceri
3 Reading and Interpreting Synthesis Pictures
4 Conclusions
References
Using Image-Based Research Methods in Vulnerable Populations as a Culturally Sensitive Approach: Ethical and Methodological Aspects
1 Introduction
2 Typology of Image-Based Methods
3 Image-Based Methods as a Culturally Sensitive Approach with Vulnerable Populations
4 Conclusion
References
Video Mapping for Cultural Heritage: State of the Art and Future Developments
1 Introduction
2 Video Mapping for Cultural Heritage
3 Video Mapping for Reconstruction of Decorative Apparatus
3.1 Static Performances
3.2 Dynamic Performances
4 Conclusions
References
Learning from the City: An Emotional Journey
1 Introduction
2 The Field of the Research
3 From the Edutainment to the Emotional Journey
4 Emotional Orienteering
5 Notes
References
Narrative Space in Videogames
1 Introduction
2 Realistic Narrative and Empathic/Anempathetic Spaces
3 Verisimilar Narrative and Utopian/Dystopian Spaces
4 Unrealistic Narrative and Impossible/Elsewhere Spaces
5 Conclusions
References
Is the Future of Exhibitions in Digital Storytelling?
References
The Restoration Drawing by Images: The Dominican Monastery of the Holy Cross in Croatia
1 Introduction
1.1 Philological Analysis of the Construction Phases
2 The Restoration Image for Documentation and Conservation
3 Conclusions
References
It is Your Town: Know How to Protect it
References
Settled/Nomadic: The Disappearance of the Project and the Invention of the Image. Two Projects by amid.cero9
1 Introduction
2 System of Active Coordinates: Within the Cosmos of amid.cero9
3 Settled: The Aegean Paradise. Tourist Accommodation in a Garden, Symi Island (2014)
4 Nomadic: Les jardins des Prodiges Portables. Une Procession. Lausanne (2013)
5 Epilogue: Invention as Method
References
The Use of Photographs in the Teaching of the Shoah
1 Photography as a Primary Resource
2 A Teacher's Guide
2.1 The Importance of Contextualization
2.2 Essential Study of Photographs as Historical Sources
3 The Use of Images in a Lesson Plan
References
The "First Step" of Images the Tangible Illusion of Stop-Motion Animation
1 The Primitive Statute of Stop-Motion as an Aesthetic of "Attraction"
2 Stop-Motion as a Simulation of Reality
3 Stop-Motion Experimentation in Films, TV, Commercials and Video Clips
4 Conclusions
References
Drone Survey of the Monastery of Panagia Kosmosoteira
1 Introduction
2 Historical Notes
3 Reading of Survey Images
Preface
Contents
Image Processing for Knowledge and Comparison of Piranesi's Carceri Editions
1 Introduction
2 Image Processing for Comparing Versions of the Carceri
3 Reading and Interpreting Synthesis Pictures
4 Conclusions
References
Using Image-Based Research Methods in Vulnerable Populations as a Culturally Sensitive Approach: Ethical and Methodological Aspects
1 Introduction
2 Typology of Image-Based Methods
3 Image-Based Methods as a Culturally Sensitive Approach with Vulnerable Populations
4 Conclusion
References
Video Mapping for Cultural Heritage: State of the Art and Future Developments
1 Introduction
2 Video Mapping for Cultural Heritage
3 Video Mapping for Reconstruction of Decorative Apparatus
3.1 Static Performances
3.2 Dynamic Performances
4 Conclusions
References
Learning from the City: An Emotional Journey
1 Introduction
2 The Field of the Research
3 From the Edutainment to the Emotional Journey
4 Emotional Orienteering
5 Notes
References
Narrative Space in Videogames
1 Introduction
2 Realistic Narrative and Empathic/Anempathetic Spaces
3 Verisimilar Narrative and Utopian/Dystopian Spaces
4 Unrealistic Narrative and Impossible/Elsewhere Spaces
5 Conclusions
References
Is the Future of Exhibitions in Digital Storytelling?
References
The Restoration Drawing by Images: The Dominican Monastery of the Holy Cross in Croatia
1 Introduction
1.1 Philological Analysis of the Construction Phases
2 The Restoration Image for Documentation and Conservation
3 Conclusions
References
It is Your Town: Know How to Protect it
References
Settled/Nomadic: The Disappearance of the Project and the Invention of the Image. Two Projects by amid.cero9
1 Introduction
2 System of Active Coordinates: Within the Cosmos of amid.cero9
3 Settled: The Aegean Paradise. Tourist Accommodation in a Garden, Symi Island (2014)
4 Nomadic: Les jardins des Prodiges Portables. Une Procession. Lausanne (2013)
5 Epilogue: Invention as Method
References
The Use of Photographs in the Teaching of the Shoah
1 Photography as a Primary Resource
2 A Teacher's Guide
2.1 The Importance of Contextualization
2.2 Essential Study of Photographs as Historical Sources
3 The Use of Images in a Lesson Plan
References
The "First Step" of Images the Tangible Illusion of Stop-Motion Animation
1 The Primitive Statute of Stop-Motion as an Aesthetic of "Attraction"
2 Stop-Motion as a Simulation of Reality
3 Stop-Motion Experimentation in Films, TV, Commercials and Video Clips
4 Conclusions
References
Drone Survey of the Monastery of Panagia Kosmosoteira
1 Introduction
2 Historical Notes
3 Reading of Survey Images