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Table of Contents
1. Unity and Multiculturalism: Pedagogical Context for South and Southeast Asian Art
2. Refuting Colonial Legacies: Many Lives of Ancient Khmer Sculpture: From Pre-Ankorian Period to Contemporary Cambodia
3. Locating Filipino Art in U.S. Museums: The Enduring Legacy of the 1904 Louisiana Purchase Exposition
4. Spirituality and Modern Art in India and the Himalayas: Neo-Tantra, Tibet, and the Goddess
5. The Role of Museums in Teaching the Art History of South and Southeast Asia
6. Politics of Public Art: Communities of Negotiation: Unity in Diversity: Teaching the Syncretistic Aspects of Ancient Indonesian Art from the 8th to the 15th Century
7. A Tale of Two Temples: The Rajarajeshvara Temple (c. 1010) in South India and the Sri Ganesha Temple (1990) in Nashville, TN
8. Beyond the Buddha Image: Buddhist Banners and the Art of Belief in Mainland Southeast Asia
9. Emerging Art of Bangladesh: Reshaping National History and Identity
10. Contested Cultural Identity: Building National Heritage: Gandhara Revisited: From Pamir to Uighur
11. Why Mughal Matters: Teaching Mughal Material in the Twenty-first Century
12. Rashtrapati Bhavan (Presidential Palace) in New Delhi as Architecture of Authority: Teaching Difficult Heritages of Colonial Rule
13. Conclusion: How to Teach South and Southeast Asia in a Global Context.
2. Refuting Colonial Legacies: Many Lives of Ancient Khmer Sculpture: From Pre-Ankorian Period to Contemporary Cambodia
3. Locating Filipino Art in U.S. Museums: The Enduring Legacy of the 1904 Louisiana Purchase Exposition
4. Spirituality and Modern Art in India and the Himalayas: Neo-Tantra, Tibet, and the Goddess
5. The Role of Museums in Teaching the Art History of South and Southeast Asia
6. Politics of Public Art: Communities of Negotiation: Unity in Diversity: Teaching the Syncretistic Aspects of Ancient Indonesian Art from the 8th to the 15th Century
7. A Tale of Two Temples: The Rajarajeshvara Temple (c. 1010) in South India and the Sri Ganesha Temple (1990) in Nashville, TN
8. Beyond the Buddha Image: Buddhist Banners and the Art of Belief in Mainland Southeast Asia
9. Emerging Art of Bangladesh: Reshaping National History and Identity
10. Contested Cultural Identity: Building National Heritage: Gandhara Revisited: From Pamir to Uighur
11. Why Mughal Matters: Teaching Mughal Material in the Twenty-first Century
12. Rashtrapati Bhavan (Presidential Palace) in New Delhi as Architecture of Authority: Teaching Difficult Heritages of Colonial Rule
13. Conclusion: How to Teach South and Southeast Asia in a Global Context.