Nuanced alternatives to dominant sexual discourses. Sexual, textual encounters in Ernaux's Ce qu'ils disent ou rien, Mémoire de fille and L'Usage de la photo
'Good sex, bad sex' in Huston's Mosaïque de la pornographie and Infrarouge
Hyper-conformity as counter-narrative in Arcan's Folle and A Ciel ouvert
Gender difference, friend and foe. Class and gender (r)evolution: from Les Armoires vides, La Femme gelée and L'Evènement, to Ernaux's erotic triptych
Gender theory and exceptions in Huston's fiction and non-fiction
The feminine condition and abjection in Arcan's Putain and Burqa de chair
Corps and corpus. Cutting truths in Ernaux's reflexive journals
Mus(e)ing, musical and magical bodies in Huston's Poser nue and Instruments de ténèbres
Arcan's body image and legacy: (dis)empowerment on-screen and in-print.