@article{1467588,
      recid = {1467588},
      author = {Windisch, Anna K., and Tieber, Claus, and Powrie, Phil,},
      title = {When music takes over in film /},
      pages = {1 online resource (166 pages) :},
      abstract = {This book reveals new insights into what happens when  music is unconstrained by narrative. It is a brilliant read  on what we thought we knew. Kathryn Kalinak, Rhode Island  College, USA This collection is wonderfully rich in its  range and astonishing in its revelation of the joyous and  disturbing things musical moments can do. Richard Dyer,  Kings College London, UK The essays here will appeal to  film scholars and music specialists alike. Estella  Tincknell, UWE Bristol, UK This open access collection  deals with musical moments in film as one of the most  pivotal and compelling issues of current film music  research. Musical moments as defined by Amy Herzog occur  when a musical number inverts the normal relationship  between the image track and the soundtrack in a film in  such a way that what we see is determined by what we hear.  As one potential approach, this definition provokes a  variety of perspectives to investigate the disruptive  potential of these moments and numbers as a creative device  in the production of audiovisual narratives. In this sense,  the book responds to a need for an anthology that  introduces students as well as scholars of cinema,  musicology, media studies and cultural studies more  broadly, to recent discourses in film music scholarship.  The volume includes contributions by early career  researchers as well as by established experts in the fields  of musicology, film studies, media studies, and cultural  studies, promoting cross-disciplinary collaboration in film  music research. Anna K. Windisch is a film scholar who  gained her PhD in Theatre, Film and Media Studies at the  University of Vienna, Austria, and completed a postdoctoral  position at the Austrian Academy of Sciences. Claus Tieber  is Principal Investigator of the research project  Screenwriting musical numbers in the Department of Theater,  Film and Media Studies at the University of Vienna,  Austria. Phil Powrie is Professor of Cinema Studies at the  University of Surrey, UK, where he was Executive Dean of  the Faculty of Arts and Human Sciences 2010-2015.},
      url = {http://library.usi.edu/record/1467588},
      doi = {https://doi.org/10.1007/978-3-030-89155-8},
}