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001467588 001__ 1467588
001467588 003__ OCoLC
001467588 005__ 20230707003330.0
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001467588 019__ $$a1378932770
001467588 020__ $$a9783030891558$$q(electronic bk.)
001467588 020__ $$a3030891550$$q(electronic bk.)
001467588 020__ $$z9783030891541
001467588 020__ $$z3030891542
001467588 0247_ $$a10.1007/978-3-030-89155-8$$2doi
001467588 035__ $$aSP(OCoLC)1379200669
001467588 040__ $$aGW5XE$$beng$$erda$$epn$$cGW5XE$$dEBLCP$$dUKMGB
001467588 049__ $$aISEA
001467588 050_4 $$aML2075
001467588 08204 $$a781.5/42$$223/eng/20230516
001467588 24500 $$aWhen music takes over in film /$$cAnna K. Windisch, Claus Tieber, Phil Powrie, editors.
001467588 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c2023.
001467588 300__ $$a1 online resource (166 pages) :$$billustrations (black and white, and color).
001467588 336__ $$atext$$btxt$$2rdacontent
001467588 337__ $$acomputer$$bc$$2rdamedia
001467588 338__ $$aonline resource$$bcr$$2rdacarrier
001467588 4901_ $$aPalgrave studies in audio-visual culture
001467588 5050_ $$a1. Introduction -- Part I. What the Musical Moment Can Do - Theoretical Approaches -- 2. The Musical Moment, Counter-Memory, Oblivion -- 3. The Crystal Song in four American Films from 2016 to 2018 -- 4. Seriously Funny: Comedy, Performance and the Musical Moment in Toni Erdmann (2016) -- 5. Experiencing Romance in Musical Moments -- Part II. How the Musical Moment was Created Musical Numbers in Silent Cinema -- 6. Films First Musical Moment: The Dickson Experimental Sound Film, 1895 -- 7. The Musical Moment in three Silent Films by Jacques Feyder: Narrative Vector or Emotional Catalyst? -- 8. A Waltz Dream: Musical Moments in Silent Operetta Films -- 9. Silent Movie Music(ians) on Screen: How Four Films Made Period Practices Audible and Visible -- Part III. Musical Dis/Placements Musical Moments in Global Cinema -- 10. Musical Numbers in Bollywood Cinema's Homeland and Diaspora -- 11. Envisioning Chinese Musicals in the Era of Sound: Sound Cinema, the Songstress, and the Emergence of Mandarin Chinese Film Musicals, 1920s-1930s -- 12. De-Gendering Genre: Mayuzumi Toshir's Avant-Garde Music in Popular Cinema.-13. Music in Nollywood Films: Schools of Thought and Performance Contexts -- 14. Redemption Songs: Musical Moments in Flora Gomess Nha Fala (2002) and Joseph Ga Ramakas Karmen Ge (2001) -- 15. No hay nada que celebrar: Migration, Violence, and Musical Moments in Luis Estradas El Infierno (2010).
001467588 5060_ $$aOpen access.$$5GW5XE
001467588 520__ $$aThis book reveals new insights into what happens when music is unconstrained by narrative. It is a brilliant read on what we thought we knew. Kathryn Kalinak, Rhode Island College, USA This collection is wonderfully rich in its range and astonishing in its revelation of the joyous and disturbing things musical moments can do. Richard Dyer, Kings College London, UK The essays here will appeal to film scholars and music specialists alike. Estella Tincknell, UWE Bristol, UK This open access collection deals with musical moments in film as one of the most pivotal and compelling issues of current film music research. Musical moments as defined by Amy Herzog occur when a musical number inverts the normal relationship between the image track and the soundtrack in a film in such a way that what we see is determined by what we hear. As one potential approach, this definition provokes a variety of perspectives to investigate the disruptive potential of these moments and numbers as a creative device in the production of audiovisual narratives. In this sense, the book responds to a need for an anthology that introduces students as well as scholars of cinema, musicology, media studies and cultural studies more broadly, to recent discourses in film music scholarship. The volume includes contributions by early career researchers as well as by established experts in the fields of musicology, film studies, media studies, and cultural studies, promoting cross-disciplinary collaboration in film music research. Anna K. Windisch is a film scholar who gained her PhD in Theatre, Film and Media Studies at the University of Vienna, Austria, and completed a postdoctoral position at the Austrian Academy of Sciences. Claus Tieber is Principal Investigator of the research project Screenwriting musical numbers in the Department of Theater, Film and Media Studies at the University of Vienna, Austria. Phil Powrie is Professor of Cinema Studies at the University of Surrey, UK, where he was Executive Dean of the Faculty of Arts and Human Sciences 2010-2015.
001467588 588__ $$aDescription based on print version record.
001467588 650_0 $$aMotion picture music$$xHistory and criticism.
001467588 650_0 $$aMotion pictures and music.
001467588 655_0 $$aElectronic books.
001467588 7001_ $$aWindisch, Anna K.,$$eeditor.$$1https://isni.org/isni/0000000446265127
001467588 7001_ $$aTieber, Claus,$$eeditor.$$1https://isni.org/isni/0000000116296318.
001467588 7001_ $$aPowrie, Phil,$$eeditor.$$1https://isni.org/isni/0000000081008151.
001467588 77608 $$iPrint version:$$tWhen music takes over in film.$$dBasingstoke : Palgrave Macmillan, 2023$$z9783030891541$$w(OCoLC)1376274513
001467588 830_0 $$aPalgrave studies in audio-visual culture.
001467588 852__ $$bebk
001467588 85640 $$3Springer Nature$$uhttps://link.springer.com/10.1007/978-3-030-89155-8$$zOnline Access$$91397441.2
001467588 909CO $$ooai:library.usi.edu:1467588$$pGLOBAL_SET
001467588 980__ $$aBIB
001467588 980__ $$aEBOOK
001467588 982__ $$aEbook
001467588 983__ $$aOnline
001467588 994__ $$a92$$bISE