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001467911 001__ 1467911
001467911 003__ OCoLC
001467911 005__ 20230707003345.0
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001467911 020__ $$a9783031224720$$qelectronic book
001467911 020__ $$a3031224728$$qelectronic book
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001467911 020__ $$z9783031224713
001467911 0247_ $$a10.1007/978-3-031-22472-0$$2doi
001467911 035__ $$aSP(OCoLC)1379018488
001467911 040__ $$aYDX$$beng$$erda$$cYDX$$dGW5XE$$dN$T$$dYDX
001467911 043__ $$ae-fr---
001467911 049__ $$aISEA
001467911 050_4 $$aPN2636.P3$$bG66 2023
001467911 08204 $$a792.094436$$223/eng/20230524
001467911 1001_ $$aGonis, Ifigenia.
001467911 24510 $$aRe-situating public theatre in contemporary France :$$btheatres and their publics /$$cIfigenia Gonis.
001467911 264_1 $$aCham :$$bPalgrave Macmillan,$$c2023.
001467911 300__ $$a1 online resource
001467911 336__ $$atext$$btxt$$2rdacontent
001467911 337__ $$acomputer$$bc$$2rdamedia
001467911 338__ $$aonline resource$$bcr$$2rdacarrier
001467911 504__ $$aIncludes bibliographical references and index.
001467911 5050_ $$aI. Introduction: scenes from an occupation -- II. Histories of Theatre Decentralization in France -- III. Assemble: Wajdi Mouawad and the Thtre National - La Colline -- IV. Build: Philippe Quesne and the Thtre Nanterre - Amandiers -- V. Diversify: Hortense Archambault and the MC93, Bobigny -- VI. Pluralize: Jean-Marie Hord and the Thtre de la Bastille -- VII. Conclusion.
001467911 506__ $$aAccess limited to authorized users.
001467911 520__ $$aThis book examines the dynamics of the relational and spatial politics of contemporary French theatrical production, with a focus on four theatres in the Greater Paris region. It situates these dynamics within the intersection of the histories of the public theatre and theatre decentralization in France, and the dialogues between live performances and the larger frameworks of artistic direction and programming as well as various imaginations of the public. Understanding these phenomena, as well as the politics that underscore them, is key to understanding not only the present status of the public theatre in France, but also how theatre as a publicly funded institution interacts with the notion of the plurality, rather than the homogeneity, of its publics. Dr. Ifigenia G. Gonis holds a PhD in Romance Languages and Literatures from Harvard University, USA. Her research interests include contemporary theatre studies, French cultural politics, and social justice. She is also an inaugural board member of the Boston-based Citizen TALES Commons. She currently teaches in Paris at the cole Internationale Bilingue.
001467911 588__ $$aDescription based on print version record.
001467911 650_0 $$aTheater and society$$zFrance$$zParis.
001467911 650_0 $$aTheater$$xPolitical aspects$$zFrance$$zParis.
001467911 655_0 $$aElectronic books.
001467911 77608 $$iPrint version:$$z9783031224720
001467911 77608 $$iPrint version:$$z303122471X$$z9783031224713$$w(OCoLC)1349449187
001467911 77608 $$iPrint version:$$aGONIS, IFIGENIA.$$tRE-SITUATING PUBLIC THEATRE IN CONTEMPORARY FRANCE.$$d[S.l.] : PALGRAVE MACMILLAN, 2023$$z303122471X$$w(OCoLC)1349449187
001467911 852__ $$bebk
001467911 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-031-22472-0$$zOnline Access$$91397441.1
001467911 909CO $$ooai:library.usi.edu:1467911$$pGLOBAL_SET
001467911 980__ $$aBIB
001467911 980__ $$aEBOOK
001467911 982__ $$aEbook
001467911 983__ $$aOnline
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