001468037 000__ 04964cam\\22006017a\4500
001468037 001__ 1468037
001468037 003__ OCoLC
001468037 005__ 20230707003351.0
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001468037 008__ 230520s2023\\\\si\a\\\\ob\\\\000\0\eng\d
001468037 019__ $$a1379264996
001468037 020__ $$a9789811970375$$q(electronic bk.)
001468037 020__ $$a9811970378$$q(electronic bk.)
001468037 020__ $$z981197036X
001468037 020__ $$z9789811970368
001468037 0247_ $$a10.1007/978-981-19-7037-5$$2doi
001468037 035__ $$aSP(OCoLC)1379433469
001468037 040__ $$aEBLCP$$beng$$cEBLCP$$dYDX$$dGW5XE$$dEBLCP$$dN$T
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001468037 049__ $$aISEA
001468037 050_4 $$aML2075
001468037 08204 $$a781.5/42$$223/eng/20230524
001468037 1001_ $$aWang, Shuang,$$eauthor.
001468037 24510 $$aFrom stage to screen :$$bthe legacy of traditional Chinese theatre in Chinese martial arts cinema soundtracks /$$cShuang Wang.
001468037 260__ $$aSingapore :$$bSpringer,$$c2023.
001468037 300__ $$a1 online resource (viii, 161 pages) :$$billustrations (chiefly color).
001468037 504__ $$aIncludes bibliographical references.
001468037 5050_ $$aIntro -- Acknowledgements -- Contents -- 1 Introduction -- Abstract -- Where Sounds Fail, Opera Starts... -- Interdisciplinary Approaches in Chinese Cinema Studies -- Chapter Divisions -- Conclusion -- References -- 2 Musicking the Chinese Martial Arts Cinema -- Abstract -- The Establishment of "Silent Screen Opera" -- Peking Opera and Its Hybridization with Hong Kong's Martial Arts Cinema -- The "New Wuxia Century" Movement and the Influence of Peking Opera -- References -- 3 Operatic Film Songs and Cross-Media Composing in Cantonese Martial Arts Cinema -- Abstract
001468037 5058_ $$aIntroduction -- King Hu as the "Auteur" -- The Blurred Distinction-Narrative Versus Additive -- Musicking the Buddhist Philosophy -- Journeying as Redemption, Body as Allegory -- The Thieves' Journey to the Dead End -- Qiu Ming: The Incarnation of Xia -- Buddhist Salvation and Musically Glorified Body -- Conclusion -- References -- 6 Operatic Tradition and Its Transnational Refashioning: A Case Study of The Banquet (2006) -- Abstract -- Introduction -- The Bamboo Forest: Audiovisual Magic and Romanticized Violence -- Music as an Expression of Slow Motion -- Hearing Suspense
001468037 5058_ $$aThe Climactic Fighting -- The Operatic Design of Percussive Sound -- Contextualized Non-diegetic Percussive Sound -- Conclusion -- References -- Epilogue -- References
001468037 506__ $$aAccess limited to authorized users.
001468037 520__ $$aChinese martial arts cinema is held to be a synthesis drawing on artistic conventions of traditional Chinese theatre. Film sound and music perform as the legitimate heirs of some of the aesthetic ideas and norms of traditional Chinese theatre. This book critically examines the history of this under-explored field of inquiry from a theoretically comparative perspective, demonstrating that the musical codes drawn from traditional theatre are a constantly changing component integral to Chinese martial arts cinema. It explores the interaction between traditional Chinese theatre and Chinese martial arts cinema in how the musical codes of the former have shaped the aesthetics of the latter uniquely. This departs from conventional existing studies that focus on adaptation. The books historical and theoretical approach connects film, theatre and music, and re-defines the status of distinctive domains of filmic expression, grounding theatre as the pivot or hinge of film aesthetics. The book proffers this unique angle of research to rethink and re-imagine film sound and audiovisual synchronisation. Primarily intended for scholars in Chinese cinema, film music, Chinese theatre and visual culture, this monograph also presents introductory and comprehensive material for undergraduate and graduate-level courses in film and media studies, film music, Chinese cinema, and Chinese theatre.
001468037 588__ $$aDescription based on print version record.
001468037 650_0 $$aFilm soundtracks$$zChina$$xHistory and criticism.
001468037 650_0 $$aMartial arts films$$zChina.
001468037 650_0 $$aTheater$$zChina$$xHistory.
001468037 655_0 $$aElectronic books.
001468037 77608 $$iPrint version:$$aWang, Shuang$$tFrom Stage to Screen$$dSingapore : Springer,c2023$$z9789811970368
001468037 852__ $$bebk
001468037 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-981-19-7037-5$$zOnline Access$$91397441.1
001468037 909CO $$ooai:library.usi.edu:1468037$$pGLOBAL_SET
001468037 980__ $$aBIB
001468037 980__ $$aEBOOK
001468037 982__ $$aEbook
001468037 983__ $$aOnline
001468037 994__ $$a92$$bISE