001468212 000__ 05359cam\\2200637\i\4500
001468212 001__ 1468212
001468212 003__ OCoLC
001468212 005__ 20230707003400.0
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001468212 008__ 230526s2023\\\\sz\a\\\\ob\\\\000\0\eng\d
001468212 019__ $$a1379424619$$a1379479648
001468212 020__ $$a9783031311352$$q(electronic bk.)
001468212 020__ $$a3031311353$$q(electronic bk.)
001468212 020__ $$z9783031311345
001468212 020__ $$z3031311345
001468212 0247_ $$a10.1007/978-3-031-31135-2$$2doi
001468212 035__ $$aSP(OCoLC)1380365825
001468212 040__ $$aGW5XE$$beng$$erda$$epn$$cGW5XE$$dEBLCP$$dYDX
001468212 049__ $$aISEA
001468212 050_4 $$aQP477.5
001468212 08204 $$a612.8/46$$223/eng/20230526
001468212 1001_ $$aSeille, Magali,$$eauthor.
001468212 24510 $$aPaintings and sculptures : where do we look first? :$$ban eye tracking in situ study, of children and adults /$$cMagali Seille, Zoi Kapoula.
001468212 264_1 $$aCham :$$bSpringer,$$c[2023]
001468212 264_4 $$c©2023
001468212 300__ $$a1 online resource (xiii, 136 pages) :$$billustrations (chiefly color)
001468212 336__ $$atext$$btxt$$2rdacontent
001468212 337__ $$acomputer$$bc$$2rdamedia
001468212 338__ $$aonline resource$$bcr$$2rdacarrier
001468212 504__ $$aIncludes bibliographical references.
001468212 5050_ $$aPrior studies of eye movement exploration of artwork -- This study - Methods -- Attraction to the center -- How do children look at the paintings -- How do we look at sculptures? -- Synthesis theoretical -- Concluding remarks.
001468212 506__ $$aAccess limited to authorized users.
001468212 520__ $$aThe book presents three studies in which eye tracking data were collected at the Musée des Beaux-Arts in Rouen in June and July 2013. Overall, the results of those three studies highlight the knowledge gained from the analysis of the very first saccade in a museum context, when people look at paintings and statues. The first study analyzes how viewers orient their first saccade on paintings. This study shows that, in a museum, the first saccade is attracted toward the center of paintings. This attraction toward the paintings’ center is found in all the subjects’ groups that we have studied. Noteworthily, this effect is significantly less pronounced in individuals who never visit museums. It is among amateurs, who often visit museums, that the center attracts the most the first saccade. Among experts, painters or art history teachers, and to a lesser extent among amateurs, the pictorial composition largely determines the orientation of the first saccade. We indeed found that, as soon as the first saccade, experts orient their gaze toward the main subject. This phenomenon seems to be explained by the fact that experts immediately orient their gaze (here measured as the first saccade) toward the paintings’ location conveying the most meaning. It can either be the center, or a peripheral area, depending on whether the paintings’ most meaningful subject is located centrally or peripherally. The second study shows that the center does not attract the first saccade in 5-year-old children. This behavior appears later, in 8- to 10-year-old children. However, noticeably, the 8–10-year-old children orient significantly less frequently their first saccade toward the paintings’ center as adults do, and this is also true when one considers non-expert adult viewers. The results of the third study focus on statues and reveal a very different oculomotor behavior: Indeed, rather than looking at the center, statues’ viewers exhibit a clear tendency to saccade first at the statues’ contours. This stands in contrast with the behavior that we observe with paintings. Our study concludes that statues trigger a specific oculomotor behavior. The latter appears to be mostly driven by the physical presence that stone bodies incarnate. The movement and the climax of this movement, that sculptors manage to convey, thus turn out to attract the gaze in a unique fashion. The book concludes that the first saccade is a powerful indicator of the oculomotor behavior that greatly improves our comprehension of the unique relationship between a viewer and artworks.
001468212 588__ $$aOnline resource; title from PDF title page (SpringerLink, viewed May 26, 2023).
001468212 650_0 $$aSaccadic eye movements.
001468212 650_0 $$aVisual reception theory.
001468212 650_0 $$aPainting$$xAppreciation.
001468212 650_0 $$aSculpture$$xAppreciation.
001468212 655_0 $$aElectronic books.
001468212 7001_ $$aKapoula, Zoï,$$eauthor.
001468212 77608 $$iPrint version:$$aSeille, Magali$$tPaintings and Sculptures: Where Do We Look First?$$dCham : Springer International Publishing AG,c2023$$z9783031311345
001468212 852__ $$bebk
001468212 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-031-31135-2$$zOnline Access$$91397441.1
001468212 909CO $$ooai:library.usi.edu:1468212$$pGLOBAL_SET
001468212 980__ $$aBIB
001468212 980__ $$aEBOOK
001468212 982__ $$aEbook
001468212 983__ $$aOnline
001468212 994__ $$a92$$bISE