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Table of Contents
1.Introduction
Feeling Wardrobe Histories
2. Closet Feelings
3. Militarized Comfort: How to Feel Naked While Wearing Clothes.-4. Costume Design and Emotional Communication in 1940s British Cinema
5. Can Fashion Feel?
Reparative Fashion
6. Designing Clothes For and From Love: Disability Justice and Fashion Hacking
7. Beading is Medicine: Beading as a Therapeutic and Decolonial Practice
8. All that Cloth Can Carry (on a Queer Body)
9. Looking Like a Woman, Feeling Like a Woman, Sensing the Self: Affective and Emotional Dimensions of Dress Therapy
Stasis and Transformation in Fashion
10. Dirty Pretty Things: Stains, Ambivalence and the Traces of Feeling
11. Making Peace Sensational: Designs for the Nobel Prizes
12. Glamour Magick, Affective Witchcraft, and Occult Fashion-abilities
13. Fashion Studies at a Turning Point
Affective Embodiment in Media
14. Melancholy Fashion in Aotearoa New Zealand
15. On Boredom and Contemporary Fashion Photography
16. Hair Dressing: Fetish, School Uniforms and Shjo in Cocoon Entwined
17. Whats Getting Us Through: Grazia UK as Affective Intimate Public During the Coronavirus Pandemic
18. Afterword.
Feeling Wardrobe Histories
2. Closet Feelings
3. Militarized Comfort: How to Feel Naked While Wearing Clothes.-4. Costume Design and Emotional Communication in 1940s British Cinema
5. Can Fashion Feel?
Reparative Fashion
6. Designing Clothes For and From Love: Disability Justice and Fashion Hacking
7. Beading is Medicine: Beading as a Therapeutic and Decolonial Practice
8. All that Cloth Can Carry (on a Queer Body)
9. Looking Like a Woman, Feeling Like a Woman, Sensing the Self: Affective and Emotional Dimensions of Dress Therapy
Stasis and Transformation in Fashion
10. Dirty Pretty Things: Stains, Ambivalence and the Traces of Feeling
11. Making Peace Sensational: Designs for the Nobel Prizes
12. Glamour Magick, Affective Witchcraft, and Occult Fashion-abilities
13. Fashion Studies at a Turning Point
Affective Embodiment in Media
14. Melancholy Fashion in Aotearoa New Zealand
15. On Boredom and Contemporary Fashion Photography
16. Hair Dressing: Fetish, School Uniforms and Shjo in Cocoon Entwined
17. Whats Getting Us Through: Grazia UK as Affective Intimate Public During the Coronavirus Pandemic
18. Afterword.