001468319 000__ 05114cam\\22006137a\4500 001468319 001__ 1468319 001468319 003__ OCoLC 001468319 005__ 20230707003246.0 001468319 006__ m\\\\\o\\d\\\\\\\\ 001468319 007__ cr\un\nnnunnun 001468319 008__ 230601s2023\\\\si\\\\\\ob\\\\000\0\eng\d 001468319 019__ $$a1381095567 001468319 020__ $$a9789819921461$$q(electronic bk.) 001468319 020__ $$a9819921465$$q(electronic bk.) 001468319 020__ $$z9819921457 001468319 020__ $$z9789819921454 001468319 0247_ $$a10.1007/978-981-99-2146-1$$2doi 001468319 035__ $$aSP(OCoLC)1380745111 001468319 040__ $$aYDX$$beng$$cYDX$$dGW5XE$$dEBLCP 001468319 049__ $$aISEA 001468319 050_4 $$aN70 001468319 08204 $$a701$$223/eng/20230613 001468319 1001_ $$aDe Rijke, Victoria. 001468319 24514 $$aThe untimely art of Scribble /$$cVictoria de Rijke. 001468319 260__ $$aSingapore :$$bSpringer,$$c2023. 001468319 300__ $$a1 online resource 001468319 4901_ $$aLandscapes: the Arts, Aesthetics, and Education ;$$vv.34 001468319 504__ $$aIncludes bibliographical references. 001468319 5050_ $$aIntro -- Acknowledgements -- Contents -- List of Figures -- 1 Introduction: Not Defining Scribble -- 1.1 First: Not Defining Scribble -- 1.2 Scribble Wall Drawings -- 1.3 Non-method -- 1.4 Refractive Thinking -- 1.5 Scribble as (if) Metaphor -- 1.6 Scribbling and Time -- References -- 2 Scribble Art on Caves and Walls -- 2.1 Parietal Beginnings -- 2.2 Fluting -- 2.3 Timeless Dance -- 2.4 What a Wall Wants -- 2.5 High Art Graffiti -- 2.6 Spatial Time -- 2.7 Finally, Now-Ness -- References -- 3 Children and Animals' Scribble -- 3.1 Scribble Action -- 3.2 Scribble as Developmental Marker 001468319 5058_ $$a3.3 Fanpablo -- 3.4 Scribble as Artform -- 3.5 Scribble's Inconclusive Conclusion -- References -- 4 Spiritual Scribble -- 4.1 Refractive Communication -- 4.2 Syncretic Scribble -- 4.3 Mystical Scribble -- References -- 5 Scribble and the Avant-Garde -- 5.1 A Looping Method -- 5.2 First Loop: WWI-WWII -- 5.3 Arts Education -- 5.4 The Meeting Point of Two Loops: The Intrasubjectives Exhibition of 1949 -- 5.5 Second Loop: The Sixties -- 5.6 The Third Loop: Viewing the Avant-garde Differently -- 5.7 Loop 3: Emily Kame Kngwarreye -- References -- 6 Scribble as Music and Movement 001468319 5058_ $$a6.1 Scribble on the Move -- 6.2 Emergence -- 6.3 Twombly: Master Scribbler -- 6.4 Turbulent Flow -- 6.5 Sculpted Scribble -- 6.6 Rhythms, Weights, Glides, Flights -- References -- 7 Scribble on Screens and by Machines -- 7.1 Kinetic Machine Scribble -- 7.2 Synaesthetic Scribble -- 7.3 Len Lye's Zizz and Bergson's Flux -- 7.4 Flux and Visual Music -- 7.5 Synaesthetic Envisioned Sound and Music -- 7.6 Scribble on Television Screens -- 7.7 Scribble Migrates to Computer Screens -- 7.8 Multimedia/Multiple Scribble -- 7.9 Scribbling Out/Over -- 7.10 Is Any of This Anything? Scribble Psychoanalysis 001468319 5058_ $$a7.11 Finally, Fractals -- References -- 8 Coda: Scribble's Metaphors, Scribble Time -- 8.1 The Scribble Membrane -- 8.2 The Scribbly Gum -- 8.3 As If Scribble -- 8.4 Scribble Arrhythmia -- 8.5 Scribble Flow -- 8.6 Scribble Synaesthesia -- References 001468319 506__ $$aAccess limited to authorized users. 001468319 520__ $$aThis book offers new definitions, vocabularies and insights for scribbling, viewing it as a fascinating and revealing process shared by many different disciplines and practices. The book provides a fresh and timely perspective on the nature of mark making and the persistence of the gestural impulse from the earliest graphic marks to the most sophisticated artistic production. The typical treatment of scribbling in the literature of artistic development has cast the practice as a prelude to representation in drawing and writing, with only occasional acknowledgment of the continuing joy and experiment of making marks across many arts practices. The continuous line the author traces between the universal practice of scribbling in infancy and early childhood and the work of radical creativity for contemporary and historical artists is original and clarifying, expanding the range of drawing behaviors to that of avant-garde painters, performance and the digital. 001468319 588__ $$aOnline resource; title from PDF title page (SpringerLink, viewed June 13, 2023). 001468319 650_0 $$aArt$$xPhilosophy. 001468319 650_0 $$aArt$$xTechnique. 001468319 655_0 $$aElectronic books. 001468319 77608 $$iPrint version: $$z9819921457$$z9789819921454$$w(OCoLC)1373838232 001468319 830_0 $$aLandscapes ;$$vv. 34. 001468319 852__ $$bebk 001468319 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-981-99-2146-1$$zOnline Access$$91397441.1 001468319 909CO $$ooai:library.usi.edu:1468319$$pGLOBAL_SET 001468319 980__ $$aBIB 001468319 980__ $$aEBOOK 001468319 982__ $$aEbook 001468319 983__ $$aOnline 001468319 994__ $$a92$$bISE