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Performing Memory
Contents
Illustrations
Acknowledgements
Introduction
Part I. Body in Movement/Body in Constraint
Chapter 1. Bodily Ways of Knowing and Remembering
Chapter 2. Corporeality and Militant Performance during Northern Irish Prison Protests, 1971-1983
Part II. Spectacle and Activism
Chapter 3. Soviet Media after 1968
Chapter 4. Bartering and Cross-Border Embodied Performances
Chapter 5. The Filmmaker as Saboteur
Part III. Reports from the Field
Chapter 6. A Letter to the Future
Chapter 7. Philadelphia Immigration Stories
Afterword

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