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Table of Contents
Introduction: Artists as Agents beyond the Frame / Maya Stanfield-Mazzi and Margarita Vargas-Betancourt
Artists as Activists: The Development of Indigenous Artists? Rights
during the Sixteenth Century / Maya Stanfield-Mazzi
Indigenous Artistic Practice and Collaboration at the Colegio de Santa Cruz in Mexico City (1534-1575) / Jennifer R. Saracino
The Pochtecatl Angelina Martina: Supplying Mexico City's Art World in the Sixteenth Century / Margarita Vargas-Betancourt
The Power of Expertise: Artists as Arbiters of the Miraculous in New Spain / Derek S. Burdette
The Brush and the Burin: Copies, Originals, and True Portraits in Juan María de Guevara y Cantos's Corona de la divinissima María (Lima, 1644) / Emily C. Floyd
Art-Making and Art-Breaking in the Era of Andean Insurgencies / Ananda Cohen-Aponte
Paint and Poison: Black Artists and Elite Anxieties in Eighteenth-Century Havana / Linda Marie Rodriguez
Conclusion: Artistic Presences in Colonial Latin America / Aaron M. Hyman and Barbara E. Mundy.
Artists as Activists: The Development of Indigenous Artists? Rights
during the Sixteenth Century / Maya Stanfield-Mazzi
Indigenous Artistic Practice and Collaboration at the Colegio de Santa Cruz in Mexico City (1534-1575) / Jennifer R. Saracino
The Pochtecatl Angelina Martina: Supplying Mexico City's Art World in the Sixteenth Century / Margarita Vargas-Betancourt
The Power of Expertise: Artists as Arbiters of the Miraculous in New Spain / Derek S. Burdette
The Brush and the Burin: Copies, Originals, and True Portraits in Juan María de Guevara y Cantos's Corona de la divinissima María (Lima, 1644) / Emily C. Floyd
Art-Making and Art-Breaking in the Era of Andean Insurgencies / Ananda Cohen-Aponte
Paint and Poison: Black Artists and Elite Anxieties in Eighteenth-Century Havana / Linda Marie Rodriguez
Conclusion: Artistic Presences in Colonial Latin America / Aaron M. Hyman and Barbara E. Mundy.