001469463 000__ 05529cam\\22006977i\4500 001469463 001__ 1469463 001469463 003__ OCoLC 001469463 005__ 20230803003331.0 001469463 006__ m\\\\\o\\d\\\\\\\\ 001469463 007__ cr\cn\nnnunnun 001469463 008__ 230608s2023\\\\sz\\\\\\ob\\\\001\0\eng\d 001469463 019__ $$a1381712092$$a1382631415 001469463 020__ $$a9783031248085$$qelectronic book 001469463 020__ $$a3031248082$$qelectronic book 001469463 020__ $$z3031248074 001469463 020__ $$z9783031248078 001469463 0247_ $$a10.1007/978-3-031-24808-5$$2doi 001469463 035__ $$aSP(OCoLC)1381292277 001469463 040__ $$aYDX$$beng$$erda$$cYDX$$dGW5XE$$dEBLCP$$dN$T$$dYDX$$dUKAHL$$dOCLCF$$dHTM 001469463 043__ $$ae-uk---$$ae-dk--- 001469463 049__ $$aISEA 001469463 050_4 $$aPN2049$$b.G76 2023 001469463 08204 $$a792.086914$$223/eng/20230616 001469463 1001_ $$aGrøn, Helene,$$eauthor. 001469463 24510 $$aAsylum and belonging through collective playwriting :$$b'how much home does a person need?' /$$cHelene Grøn. 001469463 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan, an imprint of Springer,$$c[2023] 001469463 300__ $$a1 online resource 001469463 336__ $$atext$$btxt$$2rdacontent 001469463 337__ $$acomputer$$bc$$2rdamedia 001469463 338__ $$aonline resource$$bcr$$2rdacarrier 001469463 504__ $$aIncludes bibliographical references and index. 001469463 5050_ $$aChapter 1: Introduction: How Much Home Does a Person Need? -- Chapter 2: Ontologies of Belonging: Philosophical, Historical and Narratological Considerations -- Chapter 3: Dramaturgical Ethics: Undoing and Decreating -- Chapter 4: Ethnoplaywriting: Creating Belonging -- Chapter 5: Rebooting the Social Contract: Trampoline House and Deportation Centre Sjlsmark -- Chapter 6: Fieldwork Reflection: Not just theatre, also politics, lawMaking Theatre in Deportation Centre Sjlsmark -- Chapter 7: You are enough, you belong with us: Reimagining Sisterhood as Collective Belonging -- Chapter 8: Fieldwork Reflection: The Sistas and Amazing Amelia -- Chapter 9: Conclusion: Much Home. 001469463 506__ $$aAccess limited to authorized users. 001469463 520__ $$aThis book is an intellectual trampoline. It makes you bounce, turn somersaults, back flips and then drop to your knees. Its the opposite of a rollercoaster. It helps you see above, beyond, behind and beneath. Serious exercise for mind, body and spirit, stretching concepts of home and belonging like elastic so show all the many powerful and extraordinary ways those who have to re-home themselves or make home with strangers open up new horizons for us all, giving us a glimpse of life over the fence. Alison Phipps, Professor of Languages and Intercultural Studies UNESCO Chair in Refugee Integration through Languages and the Arts, University of Glasgow This book explores the notion of home in the wake of the so-called refugee crisis, and asks how home and belonging can be rethought through the act of creative practices and collective writing with refugees and asylum seekers. Where Giorgio Agamben calls the refugee the figure of our time, this study places the question of home among those who experience its ruptures. Veering away from treating the refugee as a conceptual figure, the lived experiences and creative expressions of seeking asylum in Denmark and the United Kingdom are explored instead. The study produces a theoretical framework around home by drawing from a cross-disciplinary field of existential and political philosophy, narratology, performance studies and anthropology. Moreover, it argues that theatre studies is uniquely positioned to understand the performative and storied aspects of seeking asylum and the compromises of belonging made through the asylum process. Helene Grn holds a PhD in Theatre Studies from the University of Glasgow and Glasgow Refugee, Asylum and Migration Network, and is currently a Postdoc at the University of Copenhagen, Denmark. She is also a writer and librettist, whose work has been performed and published. Helene's academic work has appeared in Research in Drama Education and Scottish Journal of Performance. She often combines research and politically engaged arts-practice around themes of refugees, asylum, migration and storytelling. . 001469463 588__ $$aDescription based on online resource; title from digital title page (viewed on June 27, 2023). 001469463 650_0 $$aMulticulturalism in the theater. 001469463 650_0 $$aRefugees$$xHousing$$zGreat Britain. 001469463 650_0 $$aRefugees$$xHousing$$zDenmark. 001469463 650_0 $$aRefugees$$zGreat Britain$$xSocial conditions. 001469463 650_0 $$aRefugees$$zDenmark$$xSocial conditions. 001469463 650_0 $$aAsylum, Right of$$zGreat Britain. 001469463 650_0 $$aAsylum, Right of$$zDenmark. 001469463 650_0 $$aTheater and society$$zGreat Britain. 001469463 650_0 $$aTheater and society$$zDenmark. 001469463 655_0 $$aElectronic books. 001469463 77608 $$iPrint version:$$z9783031248085 001469463 77608 $$iPrint version:$$z3031248074$$z9783031248078$$w(OCoLC)1356463226 001469463 852__ $$bebk 001469463 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-031-24808-5$$zOnline Access$$91397441.1 001469463 909CO $$ooai:library.usi.edu:1469463$$pGLOBAL_SET 001469463 980__ $$aBIB 001469463 980__ $$aEBOOK 001469463 982__ $$aEbook 001469463 983__ $$aOnline 001469463 994__ $$a92$$bISE