001469695 000__ 05409cam\\22006017i\4500 001469695 001__ 1469695 001469695 003__ OCoLC 001469695 005__ 20230803003342.0 001469695 006__ m\\\\\o\\d\\\\\\\\ 001469695 007__ cr\un\nnnunnun 001469695 008__ 230616s2023\\\\sz\\\\\\ob\\\\001\0\eng\d 001469695 019__ $$a1382695423$$a1385377322 001469695 020__ $$a9783031333132$$q(electronic bk.) 001469695 020__ $$a3031333136$$q(electronic bk.) 001469695 020__ $$z3031333128 001469695 020__ $$z9783031333125 001469695 0247_ $$a10.1007/978-3-031-33313-2$$2doi 001469695 035__ $$aSP(OCoLC)1382525714 001469695 040__ $$aYDX$$beng$$cYDX$$dN$T$$dTXA$$dGW5XE$$dEBLCP$$dOCLCF$$dHTM 001469695 049__ $$aISEA 001469695 050_4 $$aHM881$$b.C3656 2023 001469695 08204 $$a303.484$$223/eng/20230622 001469695 1001_ $$aCarley, Robert F.,$$d1973-$$eauthor. 001469695 24514 $$aThe cultural production of social movements /$$cRobert F. Carley 001469695 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c2023. 001469695 300__ $$a1 online resource (x, 175 pages) 001469695 336__ $$atext$$btxt$$2rdacontent 001469695 337__ $$acomputer$$bc$$2rdamedia 001469695 338__ $$aonline resource$$bcr$$2rdacarrier 001469695 504__ $$aIncludes bibliographical references and index. 001469695 5050_ $$aIntro -- Acknowledgments -- Contents -- Chapter 1: Introduction -- Ideology, Cultural Studies, and Social Movements -- Chapter Outline -- References -- Chapter 2: Ideological Contention -- Social Movement Literature on Ideology -- Framing and Ideology -- Ideological Contention -- Ideological Contention and Cultural Production -- References -- Chapter 3: Incipient Practice and Culture -- An Outline of Incipient Practice -- Raymond Williams: Cultural Production and Cultural Formations -- Antonio Gramsci, Organic Intellectuals, Organicitá, and Cultural Production -- References 001469695 5058_ $$aChapter 4: Incipient Practice, Class, and Ideology -- W.F. Haug and Pit: Superordinate Ideas, Socialization, and Competencies -- Workerism, Class Composition, and Contemporary Class-Capital Relations -- References -- Chapter 5: The Factory Without Bosses -- Struggles in and Beyond the Factory -- From Civil Society to Society: Instituting Activities of FaSinPat -- Incipient Practice, Instituent Praxis, and Constituent Power -- References -- Chapter 6: Incipient Practice and Subaltern Groups -- Crenshaw, Collins, Omi and Winant, Hall, and Bonilla-Silva -- Contextualizing Structural Racism in Italy 001469695 5058_ $$aSubaltern Groups: Categorization and Critique -- Continuity of Struggle/Continuity of Organization: The Role of Subaltern Groups -- Subaltern Groups, Incipient Practice, and Organizing Intersectional Struggles -- References -- Chapter 7: Conclusion -- References -- Index 001469695 506__ $$aAccess limited to authorized users. 001469695 520__ $$aThe Cultural Production of Social Movements offers a theory of cultural practices, protest tactics, strategic planning and deliberation, and movement organizational structures: "ideological contention." It is a theory of ideology "from below." The Cultural Production of Social Movements shows how conflicts--both with external political forces and disagreements, dissensus, and the decision-making process internal to social movements--produce knowledge and meanings that, in turn, impact upon and change the practices that contribute to how social movements are structured and organized. The Cultural Production of Social Movements theorizes the relationship between consciously held superordinate ideas, the changing composition of progressive and oppositional social struggles, and the social worlds they hope to inhabit. Analyzing the Black Panther Party, specifically Kathleen Cleaver's break with the Student Non-violent Coordinating Committee and her contributions to the Party, Operaismo (or Workerism) in Italy and the relationship between shifting organizational strategies, inventive tactics, and novel and expansive ways to theorize class struggles, and the communal composition of "Worker-Recovered Enterprise Movements" in contemporary Argentina, this book shows how movement ideologies change and how meanings structure organizations, mobilizations, and futures. In The Cultural Production of Social Movements ideology is neither a static set of principles, nor is an unconscious orientation towards power and governance. Rather, it is the contentious, democratizing, and deliberative processes--which become realized as tactics in protests, struggles, defeats, and victories--that makes the relationship between movements, and what they "mean" conscious to its participants. 001469695 650_0 $$aSocial movements. 001469695 655_0 $$aElectronic books. 001469695 77608 $$iPrint version:$$z9783031333132 001469695 77608 $$iPrint version:$$z3031333128$$z9783031333125$$w(OCoLC)1376337802 001469695 852__ $$bebk 001469695 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-031-33313-2$$zOnline Access$$91397441.1 001469695 909CO $$ooai:library.usi.edu:1469695$$pGLOBAL_SET 001469695 980__ $$aBIB 001469695 980__ $$aEBOOK 001469695 982__ $$aEbook 001469695 983__ $$aOnline 001469695 994__ $$a92$$bISE