@article{1469831,
      note = {Includes index.},
      author = {Evans, Murray J.},
      url = {http://library.usi.edu/record/1469831},
      title = {Coleridge's sublime later prose and recent theory :  Kristeva, Adorno, Rancière /},
      abstract = {Murray Evans's new book provides probing readings of the  role of the sublime in Coleridge's later work, including  Aids to Reflection and On the Constitution of the Church  and State. Evans shows how sublime instability,  boundary-crossing, and excess can be found even in works  that appear to defend religious and literary orthodoxies.  Still further, he illuminates, and expands the relevance  of, these readings by adventurous forays into major  theoretical writing from the past few decades. This is a  bold and stimulating contribution to scholarship on  Romanticism. Mark Canuel, Professor of English and Director  of the Institute for the Humanities at the University of  Illinois at Chicago This book explores the sublime in  Samuel Taylor Coleridges later major prose in relation to  more recent theories of the sublime. Building on the  authors previous monograph Sublime Coleridge: The Opus  Maximum, this study focuses on sublime theory and discourse  in Coleridges other major prose texts of the 1820s:  Confessions of an Inquiring Spirit (wr. 1824), Aids to  Reflection (1825), and On the Constitution of the Church  and State (1829). This book thus ponders the constellations  of aesthetics, literature, religion, and politics in the  sublime theory and practice of this central Romantic author  and three of his important successors: Julia Kristeva,  Theodor Adorno, and Jacques Rancire. Murray J. Evans is  Professor Emeritus of English at the University of Winnipeg  and Retired Fellow at St Johns College, University of  Manitoba, Canada. He has taught medieval literature and  medievalism, Coleridge, childrens literature, Inklings C.S.  Lewis et al., literary history, and literary theory. He is  the author of Rereading Middle English Romance (1995) and  Sublime Coleridge: The Opus Maximum (Palgrave, 2012) and  has also published essays on Malory and the Malory  manuscript, Chaucer, Piers Plowman, Coleridge, and C.S.  Lewis.},
      doi = {https://doi.org/10.1007/978-3-031-25527-4},
      recid = {1469831},
      pages = {1 online resource (xii, 227 pages)},
}