John Ruskin, the Pre-Raphaelites, and religious imagination : sacre conversazioni / Sheona Beaumont, Madeleine Emerald Thiele, editors.
Beaumont, Sheona.; Thiele, Madeleine Emerald.
2023
BR115.A8 J64 2023
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Title John Ruskin, the Pre-Raphaelites, and religious imagination : sacre conversazioni / Sheona Beaumont, Madeleine Emerald Thiele, editors.
ISBN 9783031215544 (electronic bk.)
3031215540 (electronic bk.)
3031215532
9783031215537
DOI https://doi.org/10.1007/978-3-031-21554-4
Publication Details Cham : Palgrave Macmillan, 2023.
Language English
Description 1 online resource
Item Number 10.1007/978-3-031-21554-4 doi
Call Number BR115.A8 J64 2023
Dewey Decimal Classification 261.57
Summary This volume presents a collection of essays by leading experts which examine nineteenth century ideas about Christian theology, art, architecture, restoration, and curatorial practice. The volume unveils the importance of John Ruskins writing for todays audience, and allies it with the dynamism of the Pre-Raphaelite religious imagination. Ruskins drawings and daguerreotypes, as well as Pre-Raphaelite paintings, stained glass, and engravings, are shown to be alive with visual theology: artists such as Dante Gabriel Rossetti, John Everett Millais, Edward Burne-Jones, and Evelyn de Morgan illuminate aspects of faith and aesthetics. The interdisciplinary nature of this volume encourages reflection upon praise, truth, and beauty. The aesthetic conversations between Ruskin and the Pre-Raphaelites themselves become a form of sacra conversazione. Sheona Beaumont is an artist and writer working with photography. She was Bishop Otter Scholar (2017-2020) with the Diocese of Chichester and Kings College London and has held artist residencies in various ecumenical settings. She is a co-founder of Visual Theology, whose first edited publication was Transforming Christian Thought in the Visual Arts (2021). Madeleine Emerald Thiele is an art historian and public lecturer. Her research examines John Ruskin, Venice, Tractarian aesthetics and the angelic form within British art c.1840s1900s. She is a co-founder of Visual Theology, whose first edited publication was Transforming Christian Thought in the Visual Arts (2021).
Note Includes indexes.
Access Note Access limited to authorized users.
Source of Description Description based on print version record.
Added Author Beaumont, Sheona.
Thiele, Madeleine Emerald.
Available in Other Form Print version: 9783031215537
John Ruskin, the Pre-Raphaelites, and religious imagination
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1. Introduction
2. Earth and Heaven: Ruskin on Dirt, Work, and Beauty
3. Ruskins Venice: Embracing Sacred Fragments of Imperfect Beauty
4. Those are Leaves: Ruskins Analogical Imagination and the Pre-Raphaelite Theology of Nature
5. Sounds and Visions at The Chapel of St Michael and All Angels. 6. Ruskin, Rossetti, and the Sacra Conversazione of Colour
7. The Loveliest Traditions of the Christian Legend: Ruskin, Burne-Jones, and the Imaging of the Cross
8. Crystal Balls: Visions of Creation in the Art of Burne-Jones
9. A World Without Ceiling: Mary Wattss Language of Symbols at Limnerslease
10. Victorian Exodus: Visualising the Old Testament in Dalziels Bible Gallery (1881)
11. Heaven on Earth: Evelyn De Morgans Rejection of Materialism
12. Art on Sundays: Henrietta Barnett and the Whitechapel Fine Art Loan Exhibitions
13. Envoi.

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