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001470029 001__ 1470029
001470029 003__ OCoLC
001470029 005__ 20230803003358.0
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001470029 019__ $$a1388497908
001470029 020__ $$a9783031257674$$qelectronic book
001470029 020__ $$a3031257677$$qelectronic book
001470029 020__ $$z3031257669
001470029 020__ $$z9783031257667
001470029 0247_ $$a10.1007/978-3-031-25767-4$$2doi
001470029 035__ $$aSP(OCoLC)1387008172
001470029 040__ $$aYDX$$beng$$erda$$cYDX$$dGW5XE$$dYDX$$dEBLCP
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001470029 050_4 $$aPN1993.5.H85$$bC54 2023
001470029 08204 $$a791.43095125$$223/eng/20230711
001470029 1001_ $$aCheung, Ruby.
001470029 24510 $$aHong Kong's new indie cinema /$$cRuby Cheung.
001470029 264_1 $$aCham :$$bPalgrave Macmillan, an imprint of Springer,$$c[2023]
001470029 300__ $$a1 online resource.
001470029 336__ $$atext$$btxt$$2rdacontent
001470029 337__ $$acomputer$$bc$$2rdamedia
001470029 338__ $$aonline resource$$bcr$$2rdacarrier
001470029 4901_ $$aEast Asian popular culture
001470029 504__ $$aIncludes bibliographical references and index.
001470029 5050_ $$aChapter 1. Introduction: Hong Kongs Indie Films of the 2010s and Film Independence -- Chapter 2. The Fabric of 2010s Hong Kong Film Industry -- Chapter 3. Creative Labour -- Chapter 4. Subject Matter -- Chapter 5. The Use of Language -- Chapter 6. Distribution and Exhibition -- Chapter 7. Conclusion: A New Start or an Endgame?. .
001470029 506__ $$aAccess limited to authorized users.
001470029 520__ $$aA member of a rapidly growing Hong Kong diaspora, Ruby Cheung offers us a moving and deeply engaged account of Hong Kongs independent cinema. Focusing on films produced in the second decade of the 21st century, Cheung probes the meanings of the very concept of independence, teasing out the complexities of Hong Kong and its cinema in key years following the citys return to China. Capturing the richness of Hong Kongs cinema and the courage and tenacity of its filmmakers, Hong Kongs New Indie Cinema deserves a wide audience. Mette Hjort, Professor of Film and Screen Studies, Head of the Lincoln School of Film, Media and Journalism, University of Lincoln, UK This volume provides readers with detailed information and analysis on Hong Kongs independent film movement in the 2010s, a turbulent period in Hong Kongs recent history when its filmmakers met with many problems as well as opportunities. Cheungs careful study draws together facts, context and theories to provide credible support for optimism about Hong Kongs independent film movement going forward. Stephen Teo Kian Teck, Professor, Nanyang Technological University, Singapore This book explores 2010s Hong Kong film industry, focusing on its (presumably) independent sector. Although frequently mentioned in global film industry studies, the term independent film does not always carry a clear meaning. Starting with this point, this book studies closely Hong Kongs new indie cinema of the 2010s from political, economic, social, cultural, and film industrial perspectives, arguing that this indie cinema was vital to the long-term sustainability of the citys film industry. Ruby Cheung is Associate Professor in Film Studies at the University of Southampton, UK, where she leads international film industry studies at undergraduate, postgraduate (taught) and PhD levels. Ruby is an internationally recognized specialist in the study of contemporary Hong Kong cinema, Chinese-language film industries, as well as film festivals. She is the author of New Hong Kong Cinema: Transitions to Becoming Chinese in 21st-century East Asia (2016), and the main editor/co-editor of six other books.
001470029 588__ $$aDescription based on online resource; title from digital title page (viewed on July 11, 2023).
001470029 650_0 $$aMotion pictures$$zChina$$zHong Kong$$xHistory$$y21st century.
001470029 650_0 $$aIndependent films$$zChina$$zHong Kong$$xHistory$$y21st century.
001470029 650_0 $$aMotion picture industry$$zChina$$zHong Kong$$xHistory$$y21st century.
001470029 655_0 $$aElectronic books.
001470029 77608 $$iebook version :$$z9783031257674
001470029 77608 $$iPrint version: $$z3031257669$$z9783031257667$$w(OCoLC)1360285764
001470029 830_0 $$aEast Asian popular culture (New York, N.Y.)
001470029 852__ $$bebk
001470029 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-031-25767-4$$zOnline Access$$91397441.1
001470029 909CO $$ooai:library.usi.edu:1470029$$pGLOBAL_SET
001470029 980__ $$aBIB
001470029 980__ $$aEBOOK
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001470029 983__ $$aOnline
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