001470061 000__ 03989cam\\22006497a\4500
001470061 001__ 1470061
001470061 003__ OCoLC
001470061 005__ 20230803003400.0
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001470061 007__ cr\un\nnnunnun
001470061 008__ 230701s2023\\\\sz\\\\\\o\\\\\001\0\eng\d
001470061 019__ $$a1388501187
001470061 020__ $$a9783031323829$$q(electronic bk.)
001470061 020__ $$a3031323823$$q(electronic bk.)
001470061 020__ $$z3031323815
001470061 020__ $$z9783031323812
001470061 0247_ $$a10.1007/978-3-031-32382-9$$2doi
001470061 035__ $$aSP(OCoLC)1388319303
001470061 040__ $$aYDX$$beng$$cYDX$$dGW5XE$$dEBLCP$$dYDX
001470061 049__ $$aISEA
001470061 050_4 $$aPN1995.8$$b.G34 2023
001470061 08204 $$a791.43028$$223/eng/20230711
001470061 1001_ $$aGaggiotti, Miguel.
001470061 24510 $$aNonprofessional film performance /$$cMiguel Gaggiotti.
001470061 260__ $$aCham :$$bPalgrave Macmillan,$$c2023.
001470061 300__ $$a1 online resource
001470061 336__ $$atext$$btxt$$2rdacontent
001470061 337__ $$acomputer$$bc$$2rdamedia
001470061 338__ $$aonline resource$$bcr$$2rdacarrier
001470061 4901_ $$aPalgrave close readings in film and television
001470061 500__ $$aIncludes index.
001470061 5050_ $$a1. Introduction -- Part I Historical Perspectives -- 2. Naturshchiki, Types and Non-actors: Nonprofessional Performance in Early Soviet Cinema -- 3. Italian Neorealism and the Nonprofessional Protagonist -- 4. The Corruption of Nonprofessional Performance in Pasolinis Cinema -- Part II Contemporary Approaches -- 5. Misael Saavedra in La libertad: The Work of Gestures -- 6. Lluis Serrat and Lluis Carb in Honor de Cavalleria: Nonprofessional Performance and the Quixotic -- 7. Honor Swinton Byrne in The Souvenir: Self-Consciousness and Privilege -- 8. Conclusion.
001470061 506__ $$aAccess limited to authorized users.
001470061 520__ $$aThis book offers a critical account of film performances by nonprofessional actors. Nonprofessional actors actors without previous acting training or experience have performed in films since the days of the Lumire brothers. Generally associated with currents such as Early Soviet Cinema, Italian Neorealism and New Argentine Cinema, nonprofessional actors also feature prominently in the works of celebrated directors including Pier Paolo Pasolini, Robert Bresson and Joanna Hogg. Since the turn of the century and the rise of digital filmmaking, the performances of nonprofessional actors have remained a staple of independent cinemas from all over the world, including films associated with the loose trend often referred to as Slow Cinema. Despite their enduring presence in acclaimed and widely discussed films, nonprofessional actors have received scant scholarly attention. This book proposes to analyse exemplary nonprofessional performances from across the history of cinema as a means of illuminating their significance and celebrating the performers contributions to the films.
001470061 588__ $$aDescription based on print version record.
001470061 650_0 $$aAmateur films$$xHistory and criticism.
001470061 650_0 $$aMotion picture actors and actresses.
001470061 650_0 $$aMotion picture acting.
001470061 650_0 $$aSlow cinema.
001470061 650_0 $$aIndependent films.
001470061 655_0 $$aElectronic books.
001470061 77608 $$iPrint version: $$z3031323815$$z9783031323812$$w(OCoLC)1374816361
001470061 830_0 $$aPalgrave close readings in film and television.
001470061 852__ $$bebk
001470061 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-031-32382-9$$zOnline Access$$91397441.1
001470061 909CO $$ooai:library.usi.edu:1470061$$pGLOBAL_SET
001470061 980__ $$aBIB
001470061 980__ $$aEBOOK
001470061 982__ $$aEbook
001470061 983__ $$aOnline
001470061 994__ $$a92$$bISE