001470160 000__ 05548cam\\22006497a\4500
001470160 001__ 1470160
001470160 003__ OCoLC
001470160 005__ 20230803003405.0
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001470160 008__ 230704s2023\\\\sz\\\\\\ob\\\\001\0\eng\d
001470160 019__ $$a1388499584
001470160 020__ $$a9783031193255$$q(electronic bk.)
001470160 020__ $$a3031193253$$q(electronic bk.)
001470160 020__ $$z3031193245
001470160 020__ $$z9783031193248
001470160 0247_ $$a10.1007/978-3-031-19325-5$$2doi
001470160 035__ $$aSP(OCoLC)1388637525
001470160 040__ $$aYDX$$beng$$cYDX$$dGW5XE$$dEBLCP$$dYDX
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001470160 050_4 $$aPN1993.5.S7$$bG66 2023
001470160 08204 $$a791.430946$$223/eng/20230712
001470160 1001_ $$aGonzález, Luis M.
001470160 24510 $$aModes of tragic in Spanish cinema /$$cLuis M. González.
001470160 260__ $$aCham :$$bPalgrave Macmillan,$$c2023.
001470160 300__ $$a1 online resource
001470160 336__ $$atext$$btxt$$2rdacontent
001470160 337__ $$acomputer$$bc$$2rdamedia
001470160 338__ $$aonline resource$$bcr$$2rdacarrier
001470160 504__ $$aIncludes bibliographical references and index.
001470160 5050_ $$aIntro -- Acknowledgments -- Contents -- List of Figures -- Chapter 1: Introduction: The Tragic Mode and Spanish Cinema -- A World in Crisis -- The Modern Tragic Subject -- Rebellion, Transgression, and Suffering -- Fate and Freedom -- A Meaningless and Impenetrable World -- Circular Structure -- Book Layout -- Chapter 2: The Fallen Woman: A Tragic Approach -- La aldea maldita: Fall, Forgiveness, and Redemption -- Inclement Heaven -- The Return of the Prodigal Daughter -- Poetics of Fall and Redemption: La hija de Juan Simón -- Carmela's Defiance -- Transgression and Fall
001470160 5058_ $$aCarmela as the Scapegoat -- There Is No Redemption Without Death -- Chapter 3: The Condemned Land: Tragedy and the Rural World -- Family Business: La laguna negra -- Divine Punishment -- The Return of the Prodigal Son -- Back to the Beginning -- The Law of Desire: Condenados -- Repressing Desire -- The Power of Feelings -- The Circle Closed -- Chapter 4: Tragedy, Power, and Resistance -- Introduction -- Desire, Power, and Resistance: La tía Tula -- Under Tula's Rule -- Tula's Resistance -- From Resistance to Domination -- Tragedy and the Politics of Mourning: 7 días de enero -- The Two Spains
001470160 5058_ $$aFamily Debts -- Justice and Reparations -- Chapter 5: Tragedy and Social Exclusion -- Introduction -- "Live Fast, Die Young and Have a Good-Looking Corpse" : Deprisa, deprisa -- Political Amnesia -- Life is a Party -- The Fall -- Rethinking Family: The Limits of Freedom in La buena estrella -- "One-Eye": Unbearable Homelessness -- Never, Nothing, Nobody: Daniel, "Pretty Face" -- Time Is Up -- Chapter 6: The Recurrence of the Tragic -- Poetics of Love, Desire, and Death: La novia -- A World in Ruins -- A Ghost from the Future -- Knives Are Drawn -- Of Mothers and Daughters: Julieta
001470160 5058_ $$a"The Past Is Never Dead -- It Is Not Even Past" -- Man in Black -- Scenes from a Marriage -- Mothers and Daughters -- Chapter 7: Epilogue -- Works Cited -- Bibliography -- Filmography -- Index
001470160 506__ $$aAccess limited to authorized users.
001470160 520__ $$aThis book focuses on expressions of the tragic in Spanish cinema. Its main premise is that elements from the classical and modern tragic tradition persist and permeate many of the cultural works created in Spain, especially the films on which the book centers this study. The inscrutability and indolence of the gods, the mutability of fortune, the recurrent narratives of fall and redemption, the unavoidable clash between ethical forces, the tension between free will and fate, the violent resolution of both internal and external conflicts, and the overwhelming feelings of guilt that haunt the tragic heroine/hero are consistent aspects that traverse Spanish cinema as a response to universal queries about human suffering and death. Luis M. Gonzlez is Professor in the Hispanic Studies Department at Connecticut College, where he teaches Spanish Film, Literature and Culture. His publications on Spanish theater and film include the following books: La escena madrilea durante la II Repblica (19311939), El teatro espaol durante la II Repblica y la crtica de su tiempo (19311936), and Fascismo, kitsch y cine histrico en Espaa (19391953). He also co-authored a translation of Valle Inclans Comedias Brbaras into English, and he is the editor of Teatro: Revista de Estudios Escnicos.
001470160 588__ $$aDescription based on print version record.
001470160 650_0 $$aMotion pictures$$zSpain$$xHistory$$y20th century.
001470160 650_0 $$aMotion pictures$$zSpain$$xHistory$$y21st century.
001470160 650_0 $$aTragedy in motion pictures.
001470160 655_0 $$aElectronic books.
001470160 77608 $$iebook version :$$z9783031193255
001470160 77608 $$iPrint version: $$z3031193245$$z9783031193248$$w(OCoLC)1346070509
001470160 852__ $$bebk
001470160 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-031-19325-5$$zOnline Access$$91397441.1
001470160 909CO $$ooai:library.usi.edu:1470160$$pGLOBAL_SET
001470160 980__ $$aBIB
001470160 980__ $$aEBOOK
001470160 982__ $$aEbook
001470160 983__ $$aOnline
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