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001470307 05000 $$aML3877
001470307 08200 $$a781.1/7$$223/eng/20220809
001470307 1001_ $$aBrøvig, Ragnhild,$$eauthor.
001470307 24510 $$aParody in the age of remix :$$bmashup creativity vs. the takedown /$$cRagnhild Brøvig.
001470307 264_1 $$aCambridge, Massachusetts :$$bThe MIT Press,$$c2023.
001470307 300__ $$a1 online resource
001470307 336__ $$atext$$btxt$$2rdacontent
001470307 337__ $$acomputer$$bc$$2rdamedia
001470307 338__ $$aonline resource$$bcr$$2rdacarrier
001470307 520__ $$a"Drawing on interviews with mashup producers, close readings of the mashup music and videos, and a historically and aesthetically informed cultural studies approach, Brøvig demonstrates how mashup music embraces the essence of parody through its mashing and repurposing of sources, associations, and connotations"--$$cProvided by publisher.
001470307 588__ $$aOCLC-licensed vendor bibliographic record.
001470307 650_0 $$aMashups (Music)$$xPhilosophy and aesthetics.
001470307 650_0 $$aMashups (Music)$$xHistory and criticism.
001470307 650_0 $$aParody in music.
001470307 653__ $$aSOCIAL SCIENCE / Media Studies
001470307 653__ $$aMUSIC / History & Criticism
001470307 653__ $$aLAW / Intellectual Property / Copyright
001470307 655_0 $$aElectronic books
001470307 852__ $$bebk
001470307 85640 $$3MIT Press$$uhttps://doi.org/10.7551/mitpress/14509.001.0001?locatt=mode:legacy$$zOnline Access through The MIT Press Direct
001470307 85642 $$3OCLC metadata license agreement$$uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
001470307 909CO $$ooai:library.usi.edu:1470307$$pGLOBAL_SET
001470307 980__ $$aBIB
001470307 980__ $$aEBOOK
001470307 982__ $$aEbook
001470307 983__ $$aOnline