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Table of Contents
Cover
Half-title
Title page
Copyright information
Contents
List of Figures
Contributors
Acknowledgments
Introduction
Memory Studies and the Affective Turn
Memory and Affect in the Early Modern Period: Conceptual Frameworks
This Collection: Topics, Issues, Questions
Notes
Part I Ars memoriae, ars amatoria
Chapter 1 Allegories of Love: Affect and the Art of Memory in Shakespeare's Sonnets
Notes
Chapter 2 Twelfth Night and the Rites of Memory
I
II
III
Notes
Chapter 3 The Lustful Oblivion of Widowhood in The Insatiate Countess
Nosce te ipsum
Fearful Fluidity
Oblivion Incarnate
The Wife's Commemorative Duty
The Lusty Widow as a Site of Remembering
Notes
Part II The Politics of Memory and Affect
Chapter 4 ''Gathered again from the ash'': Traumatropism, Memorialization, and Foxe's Acts and Monuments
Notes
Chapter 5 ''To take on me the payn / Ther fall to remember'': Metrical Visions and the Dangerous Memory Networks of Complaint
Notes
Chapter 6 Jesting, Nostalgia, and Agonistic Play
Early Modern Jesting and Cultural Memory
The Purpose of Jesting
Jesting and Civility
Notes
Part III Affective Memory: Temporal and Spatial Modalities
Chapter 7 ''My despised time'': Memory, Temporality, and Disgust in Shakespearean Tragedy
I
II
III
IV
Notes
Chapter 8 Remembering Water in Robert Yarington's Two Lamentable Tragedies
I
II
Notes
Chapter 9 Mourning Memory in Cymbeline
Notes
Part IV Memory, Affect, and Stagecraft
Chapter 10 The Tug of Memory: Affect and Invention in Shakespeare's Drama
Affectively Cueing the Past
Affective Invention in Henry V
Proverbs and the Signaling of Shakespeare's Mnemotechnical Craft
Notes
Chapter 11 Memory, Text, Affect: The Deaths of Gloucester
How to Murder Gloucester
Parsing Difference
De-siloing Critical Practice
Notes
Chapter 12 Memory, Affect, and the Multiverse: From the History Plays to The Merry Wives of Windsor
Rumination in the History Plays
Falstaff and Forgetting
Notes
Chapter 13 Cut Short All Intermission: Sound, Space, Memory, and Macduff's Grief
I. Sound, Time, Henriques's Vibrations, and Macduff's Meter
II. Space, Movement, Berlant's Impasse, and Macduff's Intermission
III. Speaking What We Feel: Sara Ahmed and Sharing Pain
IV. Conclusion
Notes
Coda
Chapter 14 Remembering Shakespeare
Notes
Bibliography
Primary Sources
Secondary Texts
Index
Half-title
Title page
Copyright information
Contents
List of Figures
Contributors
Acknowledgments
Introduction
Memory Studies and the Affective Turn
Memory and Affect in the Early Modern Period: Conceptual Frameworks
This Collection: Topics, Issues, Questions
Notes
Part I Ars memoriae, ars amatoria
Chapter 1 Allegories of Love: Affect and the Art of Memory in Shakespeare's Sonnets
Notes
Chapter 2 Twelfth Night and the Rites of Memory
I
II
III
Notes
Chapter 3 The Lustful Oblivion of Widowhood in The Insatiate Countess
Nosce te ipsum
Fearful Fluidity
Oblivion Incarnate
The Wife's Commemorative Duty
The Lusty Widow as a Site of Remembering
Notes
Part II The Politics of Memory and Affect
Chapter 4 ''Gathered again from the ash'': Traumatropism, Memorialization, and Foxe's Acts and Monuments
Notes
Chapter 5 ''To take on me the payn / Ther fall to remember'': Metrical Visions and the Dangerous Memory Networks of Complaint
Notes
Chapter 6 Jesting, Nostalgia, and Agonistic Play
Early Modern Jesting and Cultural Memory
The Purpose of Jesting
Jesting and Civility
Notes
Part III Affective Memory: Temporal and Spatial Modalities
Chapter 7 ''My despised time'': Memory, Temporality, and Disgust in Shakespearean Tragedy
I
II
III
IV
Notes
Chapter 8 Remembering Water in Robert Yarington's Two Lamentable Tragedies
I
II
Notes
Chapter 9 Mourning Memory in Cymbeline
Notes
Part IV Memory, Affect, and Stagecraft
Chapter 10 The Tug of Memory: Affect and Invention in Shakespeare's Drama
Affectively Cueing the Past
Affective Invention in Henry V
Proverbs and the Signaling of Shakespeare's Mnemotechnical Craft
Notes
Chapter 11 Memory, Text, Affect: The Deaths of Gloucester
How to Murder Gloucester
Parsing Difference
De-siloing Critical Practice
Notes
Chapter 12 Memory, Affect, and the Multiverse: From the History Plays to The Merry Wives of Windsor
Rumination in the History Plays
Falstaff and Forgetting
Notes
Chapter 13 Cut Short All Intermission: Sound, Space, Memory, and Macduff's Grief
I. Sound, Time, Henriques's Vibrations, and Macduff's Meter
II. Space, Movement, Berlant's Impasse, and Macduff's Intermission
III. Speaking What We Feel: Sara Ahmed and Sharing Pain
IV. Conclusion
Notes
Coda
Chapter 14 Remembering Shakespeare
Notes
Bibliography
Primary Sources
Secondary Texts
Index