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001471582 001__ 1471582
001471582 003__ OCoLC
001471582 005__ 20230908003304.0
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001471582 008__ 230708s2023\\\\sz\\\\\\ob\\\\001\0\eng\d
001471582 019__ $$a1389485349
001471582 020__ $$a3031280938$$qelectronic book
001471582 020__ $$a9783031280931$$q(electronic bk.)
001471582 020__ $$z303128092X
001471582 020__ $$z9783031280924
001471582 0247_ $$a10.1007/978-3-031-28093-1$$2doi
001471582 035__ $$aSP(OCoLC)1389614190
001471582 040__ $$aEBLCP$$beng$$erda$$cEBLCP$$dGW5XE$$dYDX$$dN$T$$dUKMGB$$dOCLCQ
001471582 049__ $$aISEA
001471582 050_4 $$aPN471$$b.L44 2023
001471582 08204 $$a809/.89287$$223/eng/20230714
001471582 24500 $$aLegacies and lifespans in contemporary women's writing /$$cGina Wisker, Leanne Bibby, Heidi Yeandle, editors.
001471582 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c[2023]
001471582 300__ $$a1 online resource (x, 218 pages).
001471582 336__ $$atext$$btxt$$2rdacontent
001471582 337__ $$acomputer$$bc$$2rdamedia
001471582 338__ $$aonline resource$$bcr$$2rdacarrier
001471582 4901_ $$aPalgrave studies in contemporary women's writing
001471582 504__ $$aIncludes bibliographical references and index.
001471582 5050_ $$aIntro -- Contents -- Notes on Contributors -- Chapter 1: Introduction: Writing Back and Looking Forward -- Works Cited -- Chapter 2: Haunting Relationships, Dark Visions, Personal Dangers and Encounters with Strangers in Gothic Short Stories by Katherine Mansfield (1920), Shirley Jackson (1946), Daphne du Maurier (1952), and Alice Munro (2012) -- Women's Gothic -- Freud, Existentialism and Phenomenology -- Katherine Mansfield (1921) -- Mansfield, Women's Gothic and Gothic Horror -- Influences-Mansfield and du Maurier -- Daphne du Maurier and Shirley Jackson, Gothic Horror -- Shirley Jackson
001471582 5058_ $$aAlice Munro -- Conclusion -- Works Cited -- Websites -- Chapter 3: (Dis)continuing the Mother-daughter Dyad in Alison Bechdel's Are You My Mother? Working Back Through Our Mothers -- Introduction -- Are You My (Biological) Mother? -- Are You My (Literary) Mother? -- Are You My (Therapeutic) Mother? -- Transitional Objects and the Use of the Past -- Works Cited -- Chapter 4: 'You'll be told lies about me, or perhaps even nothing at all.' Facts, Fictions, and Anachronism and Realism in Contemporary Women's Historical Novels -- Facts, Fictions, and the 'practical past'
001471582 5058_ $$aDeryn Lake, Suzannah Dunn, and the Historical Event -- Events, Anachronisms, and Back Again: Suzannah Dunn's Tudor Queens -- Conclusion -- Works Cited -- Chapter 5: A Feminist Genealogy: L'Écriture Féminine, The Youngest Doll, and Contemporary Puerto Rican Women Writers -- L'écriture Féminine -- When Women Love Men -- The Poisoned Story -- "At the Beginning of a New History": Zoé Jiménez Corretjer and Yolanda Arroyo Pizarro -- Works Cited -- Chapter 6: The Smallest Room of One's Own: Virginia Woolf and Jeanette Winterson in Close Quarters -- Works Cited -- Chapter 7: "They are not only one
001471582 5058_ $$aThey're two, and three, and four": Building a Trauma Community in Toni Morrison's Beloved and Yaa Gyasi's Homegoing -- Works Cited -- Chapter 8: 'Ageing and Care in Contemporary Women's Writing: Doris Lessing's The Diary of a Good Neighbour and Margaret Drabble's The Pure Gold Baby' -- Ageing, Care and Time -- The Diary of a Good Neighbour -- Margaret Drabble's The Pure Gold Baby -- Conclusion -- Works Cited -- Chapter 9: (Re)Writing the Future/Disavowing the Past: Reading Feminism(s) in The Power and The Handmaid's Tale -- Generational Divides? -- Paradoxical Positioning -- Narrative (Re)Framing
001471582 5058_ $$aMateriality, the Body, the Gaze -- The Power of the Gaze -- (In)Conclusion -- Works Cited -- Index
001471582 506__ $$aAccess limited to authorized users.
001471582 520__ $$aThis book examines the connections and conversations between women writers from the twentieth century and the twenty-first century. The essays consider the ways in which twenty-first-century women writers look back and respond to their predecessors within the field of contemporary womens writing. The book looks back to the foundations of contemporary womens writing and also considers how this category may be defined in future decades. We ask how writers and readers have interpreted the contemporary, a moving target and an often-contentious term, especially in light of feminist theory and criticism of the late twentieth century. Writing about the relationships between womens writings is an always-vital, ongoing political project with a rich history. These essays argue that establishing and defining the contemporary is, for women writers, another ongoing political project to which this collection of essays aims, in part, to contribute.
001471582 588__ $$aDescription based on online resource; title from digital title page (viewed on July 25, 2023).
001471582 650_0 $$aLiterature$$xWomen authors$$xHistory and criticism.
001471582 650_0 $$aLiterature, Modern$$y20th century$$xHistory and criticism.
001471582 650_0 $$aLiterature, Modern$$y21st century$$xHistory and criticism.
001471582 650_0 $$aContemporary, The, in literature.
001471582 655_0 $$aElectronic books.
001471582 7001_ $$aWisker, Gina,$$d1951-$$editor.
001471582 7001_ $$aBibby, Leanne,$$eeditor.
001471582 7001_ $$aYeandle, Heidi,$$eeditor.
001471582 77608 $$iPrint version:$$aWisker, Gina$$tLegacies and Lifespans in Contemporary Women's Writing$$dCham : Springer International Publishing AG,c2023$$z9783031280924
001471582 77608 $$iPrint version:$$tLEGACIES AND LIFESPANS IN CONTEMPORARY WOMEN'S WRITING.$$d[S.l.] : PALGRAVE MACMILLAN, 2023$$z303128092X$$w(OCoLC)1369597194
001471582 830_0 $$aPalgrave studies in contemporary women's writing.
001471582 852__ $$bebk
001471582 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-031-28093-1$$zOnline Access$$91397441.1
001471582 909CO $$ooai:library.usi.edu:1471582$$pGLOBAL_SET
001471582 980__ $$aBIB
001471582 980__ $$aEBOOK
001471582 982__ $$aEbook
001471582 983__ $$aOnline
001471582 994__ $$a92$$bISE