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001471814 001__ 1471814
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001471814 020__ $$a9783476059581$$q(electronic bk.)
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001471814 0247_ $$a10.1007/978-3-476-05958-1$$2doi
001471814 035__ $$aSP(OCoLC)1390617129
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001471814 050_4 $$aPT2671.R225
001471814 08204 $$a833/.92$$223/eng/20230717
001471814 1300_ $$aChristian Krachts Ästhetik.$$lEnglish.
001471814 24510 $$aChristian Kracht's aesthetics /$$cSusanne Komfort-Hein, Heinz Drügh, editors.
001471814 264_1 $$aBerlin :$$bSpringer,$$c[2023]
001471814 264_4 $$c©2023
001471814 300__ $$a1 online resource (xi, 270 pages) :$$billustrations (some color)
001471814 336__ $$atext$$btxt$$2rdacontent
001471814 337__ $$acomputer$$bc$$2rdamedia
001471814 338__ $$aonline resource$$bcr$$2rdacarrier
001471814 5050_ $$a1. introduction -- 2. part I. Microaesthetics -- 3. Christian Kracht's microaesthetics -- 4. DJ Bobo in Ulan Bataar. A way out of the whole in Christian Kracht's aesthetics? -- 5. "... a continuing always repeated disturbance". Christian Kracht with Max Bense and Friedrich Schlegel -Response to the contributions of Christoph Kleinschmidt and Maria Kuberg.-6. Part II. Aesthetics of the literary world -- 7. Aesthetics of paratexts in Christian Kracht. Quotations, cover designs, author figures -- 8. "In Search of a Character". Christian Kracht's self-staging practices in the authorial photograph -- 9. The image given and the image taken - Responding to the contributions by Christine Riniker and Ronald Rttel -- 10. Part III. Aisthesis - Body and Mind -- 11. Surface aesthetics. The Barbour jacket as a second skin in Christian Kracht's novel Faserland -- 12. "Nothing is meaningless." On the Relationship between Spirituality and Postmodernism in the Novels of Christian Kracht -- 13. No Stable Position in Sight - Responding to the Contributions of Julia Bertschik and Robert Hermann -- 14. Part IV. Aesthetic Mode and Historical Truth -- 15. Mediologies of the Counterfactual in Christian Kracht's I Will Be Here in Sunshine and in Shadow -- 16. Of Faded Photographs and Rattling Projectors. On the Anti-Documentary Aesthetic in Christian Krachts Imperium -- 17. Aesthetic Mode and Historical Truth - Responding to the Contributions of Caspar Battegay and Christoph Schmitz -- 18. Part V. Exploration of Alternative Aesthetics -- 19. Of all the novels, I do appreciate the most the interesting ones. Aesthetics of the reserved and poetics of the interesting in Christian Kracht's Die Toten -- 20. 'In Praise of the Shadow'. Christian Kracht's The Dead as a 'Japanese Aesthetic' -- 21. "[T]he Scaffolding of the Letter H" - Responding to the Contributions of Marvin Baudisch and Azusa Takata -- 22. Part VI. Literary Aesthetics -- 23. "Barbourpapa". A source-philological investigation into the textual genesis of Faserland -- 24. Self-reference and its disorders. On a socio-political dimension of Christian Kracht's poetics and his novel Imperium (2012) -- 25. Literary aesthetics and the hermeneutics of the subject: subjectivation in Christian Kracht - Responding to the contributions of Philip Ajouri and Matthias N. Lorenz -- 26. Part VII. After the Poetics Lecture -- 27. Variations on an Unavailable Text. Christian Kracht's Frankfurt Poetics Lectures -- 28. Ineffable. Hermeneutics, Poetics and Charlie Chaplin in Christian Kracht -- 29. Christian Kracht's Postmodern Parodies.
001471814 506__ $$aAccess limited to authorized users.
001471814 520__ $$aThe contributions to this volume are devoted to Christian Kracht's Aesthetics under two main aspects: On the one hand, with regard to sometimes irritatingly twisted actualizations of that self-reference and reservation which, since Kant, is to be evaluated as a central mode of the aesthetic; on the other hand, with regard to interferences with areas that are usually perceived as extra-aesthetic, but which can be evaluated as ferments of contemporary aesthetics: Stagings in the field of the literary establishment, the aesthetic under media and market conditions, and in the focus of canonization and criticism. Kracht's Frankfurt Poetics Lectures, which were intensively commented on by the media, form the background to this discussion. This book is a translation of an original German edition. The translation was done with the help of artificial intelligence (machine translation by the service DeepL.com). The editors (with the support of by Lucy Nixon and Andrea Hartmann) have subsequently revised the text further in an endeavour to refine the work stylistically.
001471814 546__ $$aTranslated from German.
001471814 588__ $$aDescription based on print version record.
001471814 60010 $$aKracht, Christian,$$d1966-$$xAesthetics.
001471814 650_0 $$aLiterature, Modern$$y20th century.
001471814 650_0 $$aLiterature, Modern$$y21st century.
001471814 650_0 $$aEuropean literature.
001471814 650_0 $$aLiterature$$xPhilosophy.
001471814 655_0 $$aElectronic books.
001471814 7001_ $$aKomfort-Hein, Susanne,$$eeditor.
001471814 7001_ $$aDrügh, Heinz J.,$$d1965-$$eeditor.
001471814 77608 $$iPrint version:$$tCHRISTIAN KRACHTS AESTHETICS.$$d[Place of publication not identified] : PALGRAVE MACMILLAN, 2023$$z347605957X$$w(OCoLC)1365054154
001471814 852__ $$bebk
001471814 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-476-05958-1$$zOnline Access$$91397441.1
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001471814 980__ $$aBIB
001471814 980__ $$aEBOOK
001471814 982__ $$aEbook
001471814 983__ $$aOnline
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