001471902 000__ 05540cam\\22007217i\4500
001471902 001__ 1471902
001471902 003__ OCoLC
001471902 005__ 20230908003320.0
001471902 006__ m\\\\\o\\d\\\\\\\\
001471902 007__ cr\cn\nnnunnun
001471902 008__ 230724s2023\\\\sz\\\\\\ob\\\\001\0\eng\d
001471902 019__ $$a1390922221
001471902 020__ $$a9783031346989$$qelectronic book
001471902 020__ $$a303134698X$$qelectronic book
001471902 020__ $$z3031346971
001471902 020__ $$z9783031346972
001471902 0247_ $$a10.1007/978-3-031-34698-9$$2doi
001471902 035__ $$aSP(OCoLC)1390876583
001471902 040__ $$aYDX$$beng$$erda$$cYDX$$dGW5XE$$dEBLCP$$dUKMGB$$dYDX$$dOCLCQ
001471902 043__ $$ae-uk-ni$$as-bl---
001471902 049__ $$aISEA
001471902 050_4 $$aPN1995.9.V5$$bR67 2023
001471902 050_4 $$aPN1993.5.N58
001471902 08204 $$a791.4309416$$223/eng/20230728
001471902 1001_ $$aRosa, Ketlyn Mara.
001471902 24510 $$aConflict cinemas in Northern Ireland and Brazil /$$cKetlyn Mara Rosa.
001471902 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan, an imprint of Springer,$$c[2023]
001471902 300__ $$a1 online resource
001471902 336__ $$atext$$btxt$$2rdacontent
001471902 337__ $$acomputer$$bc$$2rdamedia
001471902 338__ $$aonline resource$$bcr$$2rdacarrier
001471902 504__ $$aIncludes bibliographical references and index.
001471902 5050_ $$aIntro -- Acknowledgments -- Contents -- About the Author -- List of Figures -- Chapter 1: Introduction -- 1.1 The Pulsing Life Behind Images -- 1.2 Living, Breathing Space -- 1.3 The Sensorial Body in Film -- 1.4 Making Sense of the Chapters -- References -- Chapter 2: Unspeakable Acts: Embodiment and Perception in Bloody Sunday and '71 -- 2.1 "You can't just leave them lying like bits of meat here" : Bloody Sunday and a Chaotic Afternoon in Derry -- 2.2 "Get out of this country, none of us likes you!" :'71 and a Sensorial Journey Across Divided Belfast -- References
001471902 5058_ $$aChapter 3: Embodied Violation in Tropa de Elite and A Divisão: The Spectacle of Torture and Violence in Rio's favelas -- 3.1 "Pede pra sair!" : Corporeal Abuse and Uncontrollable Punishment in Tropa de Elite -- 3.2 "Tá com cheiro de sangue isso aqui" : A Sensorial Approach to Torture in A Divisão -- References -- Chapter 4: Corporeal Navigation of Carceral Spaces in Northern Ireland: The Sensorial Geography of Limitation in Maze and Silent Grace -- 4.1 "Eyes and ears" : Corporeal Navigation of the Carceral Geography in Maze
001471902 5058_ $$a4.2 "We're prisoners of war. We're looking for political status not a bloody bar of chocolate" : Bodies, Incarcerated Spaces, and Sensorial Experience in Silent Grace -- References -- Chapter 5: Marginalized Bodies and Violated Senses: Representations of Inhumane Confinement in Carandiru and Quase Dois Irmãos -- 5.1 "Rebelião no 9, tranquei, a casa é nossa!" : The Violated Body in Carandiru's Merciless Carceral Space -- 5.2 "Nós somos praticamente o último foco de resistência do país" : Political Oppression and Embodied Disruption in Quase Dois Irmãos -- References -- Chapter 6: Final Thoughts
001471902 506__ $$aAccess limited to authorized users.
001471902 520__ $$aThis book focuses on the analysis of sensorial representations of violent images in contemporary films that portray embodied violation in urban environments of street clashes and prisons in Northern Ireland and Brazil during the late twentieth century. There is an emphasis on the representation of senses and how they play a significant role in structuring narratives and mapping the cinematic landscapes of conflict. Whether on the streets and prisons of Belfast, Derry, So Paulo or Rio, the attention is on the endangered body and its fragility or strength. Analyzing films through the novel framework of sensorial perspective enables the understanding of urban and prison landscapes as part of a somatic geography that affects the corporeal engagement of the participants. As a multicultural study, this is an essential book for those interested in the relationship between cinema and history while taking into consideration the interactive roles of the senses and perception.
001471902 588__ $$aDescription based on online resource; title from digital title page (viewed on August 09, 2023).
001471902 650_0 $$aViolence in motion pictures.
001471902 650_0 $$aMotion pictures$$zNorthern Ireland$$xHistory.
001471902 650_0 $$aMotion pictures$$zBrazil$$xHistory.
001471902 650_0 $$aWar films$$zNorthern Ireland$$xHistory and criticism.
001471902 650_0 $$aWar films$$zBrazil$$xHistory and criticism.
001471902 651_0 $$aNorthern Ireland$$xHistory$$y1968-1998.
001471902 651_0 $$aBrazil$$xHistory$$y1964-1985.
001471902 655_0 $$aElectronic books.
001471902 77608 $$iebook version :$$z9783031346989
001471902 77608 $$iPrint version: $$z3031346971$$z9783031346972$$w(OCoLC)1378299607
001471902 77608 $$iPrint version:$$aROSA, KETLYN MARA.$$tCONFLICT CINEMAS IN NORTHERN IRELAND AND BRAZIL.$$d[S.l.] : PALGRAVE MACMILLAN, 2023$$z3031346971$$w(OCoLC)1378299607
001471902 852__ $$bebk
001471902 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-031-34698-9$$zOnline Access$$91397441.1
001471902 909CO $$ooai:library.usi.edu:1471902$$pGLOBAL_SET
001471902 980__ $$aBIB
001471902 980__ $$aEBOOK
001471902 982__ $$aEbook
001471902 983__ $$aOnline
001471902 994__ $$a92$$bISE