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001472297 001__ 1472297
001472297 003__ OCoLC
001472297 005__ 20230908003405.0
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001472297 008__ 230807s2023\\\\si\a\\\\o\\\\\001\0\eng\d
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001472297 0247_ $$a10.1007/978-981-19-9251-3$$2doi
001472297 035__ $$aSP(OCoLC)1392449554
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001472297 08204 $$a823.9209353$$223/eng/20230807
001472297 1001_ $$aTseng, Chia-Chieh Mavis,$$eauthor.
001472297 24510 $$aMemory made, hacked, and outsourced :$$bhow the 21st Century Anglophone novels remember and forget /$$cChia-Chieh Mavis Tseng.
001472297 264_1 $$aSingapore :$$bPalgrave Macmillan,$$c2023.
001472297 300__ $$a1 online resource (xi, 148 pages) :$$billustrations
001472297 336__ $$atext$$btxt$$2rdacontent
001472297 337__ $$acomputer$$bc$$2rdamedia
001472297 338__ $$aonline resource$$bcr$$2rdacarrier
001472297 500__ $$aIncludes index.
001472297 5050_ $$aChapter 1: Introduction: Memory and Fiction in the 21st Century -- Chapter 2: Memory Made: Photography, Latency, and Contingency in Penelope Lively's The Photograph -- Chapter 3: Memory in Seriality: Remainder, Repetition, and Authenticity in Tom McCarthy's Remainder -- Chapter 4: Memory Hacking: Remembering, Storytelling, and Unreliable Narrators in Julian Barnes' The Sense of an Ending and The Only Story -- Chapter 5: Remember Like Humans: (Post-)human Memories, Forgetting, and Space of Latency in Kazuo Ishiguro's Never Let Me Go -- Chapter 6: Memory Outsourced: New Memory in the Digital Age in Felicia Yap's Yesterday -- Chapter 7: Conclusion: The Future of 21st Century Memory.
001472297 506__ $$aAccess limited to authorized users.
001472297 520__ $$aThis book probes the complex relationship between memory and storytelling in contemporary literature. It not only examines how memory is constantly made and remade through words and stories but also explores how literary practices and imagination are shaping new concepts of memory in the 21st century. By analyzing the selected novels : Penelope Lively's The Photograph, Tom McCarthy's Remainder, Julian Barnes' The Sense of an Ending and The Only Story, Kazuo Ishiguro's Never Let Me Go, and Felicia Yap's Yesterday : this book explores the dynamic interplay of remembering and forgetting, and redefines the relationship between fiction and memory in the 21st century. Chia-Chieh Mavis Tseng is the director and associate professor in the Language Center at Taipei Medical University. She received her Ph.D. in Comparative Literature at Rutgers, The State University of New Jersey. Her publications have addressed memory studies, film studies, visual culture, urban modernity, Amy Levy, Kate Chopin, Virginia Woolf, Kazuo Ishiguro, Walter Benjamin, and Jacques Tati's works. Her several research projects (2017-2023), funded by the National Science and Technology Council in Taiwan, R.O.C., focus on representations of memory in contemporary novels and films.
001472297 588__ $$aDescription based on print version record.
001472297 650_0 $$aEnglish fiction$$y21st century$$xHistory and criticism.
001472297 650_0 $$aMemory in literature.
001472297 655_0 $$aElectronic books.
001472297 77608 $$iPrint version:$$aTSENG, MAVIS CHIA-CHIEH.$$tMEMORY MADE, HACKED, AND OUTSOURCED.$$d[S.l.] : PALGRAVE MACMILLAN, 2023$$z9811992509$$w(OCoLC)1355037201
001472297 852__ $$bebk
001472297 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-981-19-9251-3$$zOnline Access$$91397441.1
001472297 909CO $$ooai:library.usi.edu:1472297$$pGLOBAL_SET
001472297 980__ $$aBIB
001472297 980__ $$aEBOOK
001472297 982__ $$aEbook
001472297 983__ $$aOnline
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