Subversive performance in the age of human capital / Pil Kollectiv, Galia Kollectiv.
2023
N72.P6
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Title
Subversive performance in the age of human capital / Pil Kollectiv, Galia Kollectiv.
Author
ISBN
9783031358159 (electronic bk.)
3031358155 (electronic bk.)
9783031358142
3031358147
3031358155 (electronic bk.)
9783031358142
3031358147
Published
Cham : Palgrave Macmillan, 2023.
Language
English
Description
1 online resource (viii, 280 pages) : illustrations
Item Number
10.1007/978-3-031-35815-9 doi
Call Number
N72.P6
Dewey Decimal Classification
701.03
Summary
Contemporary art relies on an expansionist, modernist ideal and still progresses through a critique of earlier forms of democratisation. But beneath this democratic drive, lurks a creeping crisis. Under neoliberalism, criticality has become a zone of value production. A self-deprecating irony, exposing and re-enacting this position of impotence, is one of the few gestures left in the arsenal of critical art. Against irony, this book pits overidentification. The term has been taken to mean a kind of parodic mimicry of institutional power. The authors differentiate this from bad faith flirting with taboo aesthetics by focusing on practices grounded in a genuine identification with power that ushers the kind of excess implied by overidentification. Staging forms of critique not so readily absorbed into the structure of the present, these subversive performances herald a future beyond the democratic paradox. Pil and Galia Kollectiv are artists, writers and curators working in collaboration. They lecture in Art at the University of Reading, Royal College of Art and University of the Arts London.
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Includes bibliographical references and index.
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Online resource; title from PDF title page (SpringerLink, viewed August 7, 2023).
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Print version: 9783031358142
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Table of Contents
Chapter 1: Introduction
Chapter 2: Art for All
Chapter 3: Artists in the Social Factory
Chapter 4: Paradoxes of Democracy
Chapter 5: Irony and Overidentification
Chapter 6: Conclusion.
Chapter 2: Art for All
Chapter 3: Artists in the Social Factory
Chapter 4: Paradoxes of Democracy
Chapter 5: Irony and Overidentification
Chapter 6: Conclusion.